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Anti-theatricality and the limits of naturalism
12 references·0 citing·25 second hop
Anti-theatricality and the limits of naturalism (2001)Anti-theatricality and the limits of natu…Beyond the Pleasure Principle (2015)Beyond the Pleasure PrincipleGerhart Hauptmann and the Naturalist Drama (1998)Gerhart Hauptmann and the Nat…The sublime object of ideology (1990)The sublime object of ideologyMunich and Theatrical Modernism: Politics, Playwriting, and Performance, 1890-1914 (1988)Munich and Theatrical Moderni…Theory of the modern drama (1986)Theory of the modern dramaThe Revolution in German Theatre 1900-1933 (1983)The Revolution in German Thea…The Antitheatrical Prejudice (1982)The Antitheatrical PrejudiceGerhart Hauptmann : Weltbild im Werk (1980)Gerhart Hauptmann : Weltbild …From Naturalism to Expressionism: German Literature and Society 1880-1918 (1975)From Naturalism to Expression…L'effet de réel (1968)L'effet de réelThe Antitheatrical Prejudice (1966)The Antitheatrical PrejudiceBeyond Pleasure—on Principle (1961)Beyond Pleasure—on PrincipleTrauma and the Memory of Politics (2003)Democracy of Objects (2011)Rethinking Critical Theory and Qualitative Research (2011)A cognitive (attribution)-emotion-action model of motivated behavior: An analysis of judgments of help-giving. (1980)Emotional intelligence and the construction and regulation of feelings (1995)Navigating Into the Future or Driven by the Past (2013)Theatrical reform and the emergence of mass culture in Spain (2008)"Must we dance naked?": art, beauty, and law in Munich and Paris, 1911-1913. (2011)The Designer as Author (2012)21 FROM A POETICS OF POSTMODERNISM (2002)Visual essentialism and the object of visual culture (2003)The ancient critic at work: terms and concepts of literary criticism in Greek scholia (2009)The Green Table–sources of a classic (1989)Dances with Mei Lanfang: Brecht and the Alienation Effect (1998)Ritual and Its Consequences (2008)Death of the PostHuman: Essays on Extinction, Volume One (2013)What Is Digital Labour? What Is Digital Work? What’s their Difference? And Why Do These Questions Matter for Understanding Social Media? (2013)Stage Fright, Animals, and Other Theatrical Problems (2006)The competence of theatre audiences in fifth- and fourth-century Athens (2006)RETHINKING THE SOCIAL IMPACTS OF THE ARTS (2007)Moving Bodies, Acting Selves (1999)Performance Remains (2001)Agreste: uma dramaturgia desejante (2004)Hero takes a fall: A lesson from theatre for leadership (2010)Mapping Irish Theatre: Theories of Space and Place (2013)
this work references cited by second hop

References

  • 1990The sublime object of ideology5,690 cited
  • 2015Beyond the Pleasure Principle5,275 cited
  • 1968L'effet de réel850 cited
  • 1961Beyond Pleasure—on Principle760 cited
  • 1982The Antitheatrical Prejudice339 cited
  • 1966The Antitheatrical Prejudice331 cited
  • 1986Theory of the modern drama59 cited
  • 1983The Revolution in German Theatre 1900-193351 cited
  • 1988Munich and Theatrical Modernism: Politics, Playwriting, and Performance, 1890-191435 cited
  • 1998Gerhart Hauptmann and the Naturalist Drama25 cited
  • 1980Gerhart Hauptmann : Weltbild im Werk24 cited
  • 1975From Naturalism to Expressionism: German Literature and Society 1880-191823 cited

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