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Toward a Cognitive Semiotics of the Visual Artwork — Elements of a grammar of intuition
12 references·1 citing·30 second hop
Toward a Cognitive Semiotics of the Visual Artwork — Elements of a grammar of intuition (2009)Toward a Cognitive Semiotics of the Visua…Non-Generic Viewpoints as a Method of Composition in Renaissance Paintings (2009)Non-Generic Viewpoints as a M…Diagrammatology: An Investigation on the Borderlines of Phenomenology, Ontology, and Semiotics (2007)Diagrammatology: An Investiga…The Structure of Paintings (2006)The Structure of PaintingsThe mind and its stories: narrative universals and human emotion (2004)The mind and its stories: nar…The Mind and its Stories (2003)The Mind and its StoriesSelected Papers in Aesthetics (1986)Selected Papers in AestheticsPhantasie, Bildbewusstsein, Erinnerung (1980)Phantasie, Bildbewusstsein, E…Phantasie, Bildbewusstsein, Erinnerung (1980)Phantasie, Bildbewusstsein, E…Erlebnis, Kunstwerk und Wert (1971)Erlebnis, Kunstwerk und WertErlebnis, Kunstwerk und Wert (1969)Erlebnis, Kunstwerk und WertLaws of organization in perceptual forms. (1938)Laws of organization in perce…A history of art (1922)A history of artIdentity chains in newspaper cartoon narratives: an integrative model (2020)Identity chains in newspaper …ASPECTS OF THE THEORY OF SYNTAX (1964)In A Different Voice: Psychological Theory And Women's Development (1982)Metaphors We Live By (2003)A Theory of Narrative Empathy (2006)Why we read fiction: theory of mind and the novel (2006)Social surrogacy: How favored television programs provide the experience of belonging (2008)Sémiotique : dictionnaire raisonné de la théorie du langage (1979)Women, Fire, and Dangerous Things (1987)The Function of Fiction is the Abstraction and Simulation of Social Experience (2008)Media engagement and advertising: Transportation, matching, transference and intrusion (2009)Le texte et sa lecture. Une analyse de l'acte de lire selon W. Iser (1983)Perfect reproductions of works of art: Substitutes or heresy? (1995)Rezeptionsästhetik (2008)Learning at a distance I. Statistical learning of non-adjacent dependencies (2003)Cognitive Linguistics (2004)Optimality Theory: Constraint Interaction in Generative Grammar (2004)A Short History of Biosemiotics (2009)Theses on Biosemiotics: Prolegomena to a Theoretical Biology (2009)Vegetative, Animal, and Cultural Semiosis: The semiotic threshold zones (2009)Austrian philosophy: the legacy of Franz Brentano (1995)The Cambridge History of Literary Criticism (1995)Forms of Self-Implication in Literary Reading (2004)The view from Husserl’s lectern : considerations on the role of phenomenology in cognitive semiotics. (2009)From mimicry to mime by way of mimesis: Reflections on a general theory of iconicity (2010)Phenomenology as Critique: Teleological–Historical Reflection and Husserl’s Transcendental Eidetics (2016)The Phenomenological Semiotics of Iconicity and Pictoriality—Including Some Replies to My Critics (2016)A Study of Technological Intentionality in C++ and Generative Adversarial Model: Phenomenological and Postphenomenological Perspectives (2022)The intricate dialectics of iconization and structuration (2022)Artistically Skilled Embodied Agents (2014)Medialness and the Perception of Visual Art (2017)
this work references cited by second hop

References

  • 1938Laws of organization in perceptual forms.1,565 cited
  • 2004The mind and its stories: narrative universals and human emotion299 cited
  • 2007Diagrammatology: An Investigation on the Borderlines of Phenomenology, Ontology, and Semiotics288 cited
  • 1980Phantasie, Bildbewusstsein, Erinnerung100 cited
  • 1986Selected Papers in Aesthetics68 cited
  • 1980Phantasie, Bildbewusstsein, Erinnerung37 cited
  • 2003The Mind and its Stories37 cited
  • 1969Erlebnis, Kunstwerk und Wert36 cited
  • 2006The Structure of Paintings25 cited
  • 2009Non-Generic Viewpoints as a Method of Composition in Renaissance Paintings14 cited
  • 1971Erlebnis, Kunstwerk und Wert11 cited
  • 1922A history of art10 cited

Cited by

  • 2020Identity chains in newspaper cartoon narratives: an integrative model4 cited

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