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Abstract In hisOratio ad GraecosTatian claims to have seen Sappho’s statue among a number of other female figures in Rome, which, according to a passage in Pliny the Elder, seem to have been in the Portico of Pompey. This article examines how difficulties in the scholarly reception of Tatian’sOratio ad Graecoscontinue to obstruct a fuller picture of the role of female figures such as Sappho in late Republican and Augustan Rome. Furthermore, by bringing fresh archaeological evidence into the discussion of Tatian’s text and pointing out previously ignored philological connections betweenOratio ad Graecosand late Republican and Augustan literature, the article refines the image of a woman like Sappho in Ancient Rome.
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