Ontology, epistemology, and some research proposals

Alan A. Marsden

2 citations0/0 files storedJournal of Mathematics and Music

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Musicology and Musical Analysis Music Technology and Sound Studies Neuroscience and Music Perception

Abstract

Apparently contrasting ontologies of music as a psychological–cognitive entity or as having independent existence are shown not to be mutually exclusive. They are related to orthogonal dimensions of empirical and rational approaches in research. The best research employs both the approaches. Mathematical and computational researchers are urged to explore research which moves away from the abstract, rational approach and makes greater use of empirical data. Suggestions are given for future research.

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References

1981Classic Music: Expression, Form, and Style 1973The Structure of Atonal Music 2008The Social and Applied Psychology of Music 1991Playing with Signs 1991Playing with Signs: A Semiotic Interpretation of Classic Music 1974The Structure of Atonal Music 1980Thematic fame, melodic originality, and musical zeitgeist: A biographical and transhistorical content analysis.1981: Free Composition (Der Freie Satz): Vol. III of New Musical Theories and Fantasies . Heinrich Schenker, Ernst Oster.

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