Listening patterns and identity of the Korean diaspora in the former USSR’1

Haekyung Um

11 citations0/0 files storedBritish Journal of Ethnomusicology

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Music History and Culture Diaspora, migration, transnational identity Diverse Musicological Studies

Abstract

This article examines the relationships between listening patterns and the construction of identities amongst the Korean diaspora in the former Soviet Union. This examination uses both quantitative and qualitative methods in an attempt to analyse the ways in which musics are consumed by these communities, and to understand better how a variety of self, social and ethnic identities are constructed and contested through music consumption.

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References

1977Outline of a Theory of Practice 2020Modernity and Self-Identity: Self and Society in the Late Modern Age 1992Modernity and self-identity: self and society in the late modern age 2018THE PRACTICE OF EVERYDAY LIFE 1997Questions of Cultural Identity 2005Research methods in the social sciences 2005Research methods in the social sciences 1996Rethinking Diaspora (s): Stateless Power in the Transnational Moment

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2018Sonic Poetics of Home and the Art of Making Do in Sinophone Toronto 2018Koreans in Central Asia – a different Korean nation

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