SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Ethnic Theatre in the United States
0 references·16 citing·31 second hop
Ethnic Theatre in the United States (1984)Ethnic Theatre in the United StatesStephen Sondheim and the Musical of the Outsider (2017)Stephen Sondheim and the Musi…New Horizons: The Musical at the Dawn of the Twenty-First Century (2017)New Horizons: The Musical at …The Negro Little Theatre Movement (2012)The Negro Little Theatre Move…Early black Americans on Broadway (2012)Early black Americans on Broa…Ole Olson and Companions as Others: Swedish-Dialect Characters and the Question of Scandinavian Acculturation (2008)Ole Olson and Companions as O…The West Indies, Commerce, and a Play for U.S. Empire: Recovering J. Robinson's The Yorker's Stratagem (1792) (2005)The West Indies, Commerce, an…“Genuine Negroes and Real Bloodhounds”: Cross-Dressing, Eugene O’Neill, the Wooster Group, and The Emperor Jones (2005)“Genuine Negroes and Real Blo…Introduction (1999)IntroductionActors and Acting (1999)Actors and ActingThe emergence of the American actor (1998)The emergence of the American…Introduction (1998)IntroductionEuropean actors and the star system in the American theatre, 1752–1870 (1998)European actors and the star …Immigrant Popular Culture as Contested Sphere: Yiddish Music Halls, the Yiddish Press, and the Processes of Americanization, 1900-1910 (1996)Immigrant Popular Culture as …Kanriye Fujima's Adaptation of the Iemoto System (1992)Kanriye Fujima's Adaptation o…Theorizing about Performance: Why Now? (1990)Theorizing about Performance:…Pageantry for Women's Rights: The Career of Hazel Mackaye, 1913–1923 (1990)Pageantry for Women's Rights:…Gender Trouble: Feminism and the Subversion of Identity (1991)Bodies That Matter (2011)The Wages of Whiteness (2017)The Politics and Poetics of Transgression (1988)The Signifying Monkey: A Theory of African-American Literary Criticism (1988)Mimesis and alterity: a particular history of the senses (1993)Susanna Rowson and the dramatized Muslim (2005)Tales of the Philadelphia Theatre:Ormond, national performance, and supranational identity (2005)Highbrow/lowbrow: the emergence of cultural hierarchy in America (1989)Gay New York: gender, urban culture, and the making of the gay male world, 1890-1940 (1994)Postvernacular Yiddish: Language As a Performance Art (2004)Freaks, Geeks, and Strongmen: Warsaw Jews and Popular Performance, 1912–1930 (2006)The Third Street Music School Settlement: The Grand Tradition as Social Practice on New York's Lower East Side (2011)Ethnic Theatre in the United States (1983)The New Historicism and Its Discontents: Politicizing Renaissance Drama (1987)Spatial Form in Modern Literature (2005)Eight Hours for What We Will: Workers and Leisure in an Industrial City, 1870–1920 (1983)Chants Democratic: New York City and the Rise of the American Working Class, 1788-1850 (1985)Japanese Patterns of Behavior (1977)Asian Americans: Emerging Minorities (1988)Zen and Japanese Culture (2019)A History of Butô (2022)Marxism and Literature (1977)The Visible Hand: The Managerial Revolution in American Business (1978)On Longing: Narratives of the Miniature, the Gigantic, the Souvenir, the Collection (1986)The Visible Hand: The Managerial Revolution in American Business (1978)A different mirror: a history of multicultural America (1993)Playing in the Dark: Whiteness and the Literary Imagination. (1993)Modernism and the Harlem Renaissance (1987)The Harlem renaissance in black and white (1996)Black on White: Black Writers on What It Means to Be White (1998)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2005The West Indies, Commerce, and a Play for U.S. Empire: Recovering J. Robinson's The Yorker's Stratagem (1792)24 cited
  • 1990Pageantry for Women's Rights: The Career of Hazel Mackaye, 1913–192321 cited
  • 1992Kanriye Fujima's Adaptation of the Iemoto System20 cited
  • 1996Immigrant Popular Culture as Contested Sphere: Yiddish Music Halls, the Yiddish Press, and the Processes of Americanization, 1900-191013 cited
  • 1998European actors and the star system in the American theatre, 1752–18707 cited
  • 2005“Genuine Negroes and Real Bloodhounds”: Cross-Dressing, Eugene O’Neill, the Wooster Group, and The Emperor Jones6 cited
  • 1999Actors and Acting6 cited
  • 2012The Negro Little Theatre Movement6 cited
  • 1990Theorizing about Performance: Why Now?5 cited
  • 1998The emergence of the American actor4 cited
  • 1998Introduction3 cited
  • 2017New Horizons: The Musical at the Dawn of the Twenty-First Century3 cited
  • 2008Ole Olson and Companions as Others: Swedish-Dialect Characters and the Question of Scandinavian Acculturation2 cited
  • 2012Early black Americans on Broadway2 cited
  • 1999

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

Introduction
2 cited
  • 2017Stephen Sondheim and the Musical of the Outsider2 cited