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Publication and the Anxiety of Judgement in German Musical Life of the Seventeenth Century
13 references·1 citing·27 second hop
Publication and the Anxiety of Judgement in German Musical Life of the Seventeenth Century (2004)Publication and the Anxiety of Judgement …Der Musicalische Quack-salber... (2011)Der Musicalische Quack-salber…Syntagma musicum III (2004)Syntagma musicum IIIThe Oxford Classical Dictionary (1998)The Oxford Classical Dictiona…The letters of Claudio Monteverdi (1996)The letters of Claudio Montev…TALLIS, BYRD AND THE 'INCORRECTED COPY': SOME CAUTIONARY NOTES FOR EDITORS OF EARLY MUSIC PRINTED FROM MOVABLE TYPE (1996)TALLIS, BYRD AND THE 'INCORRE…Studies in the History of Italian Music and Music Theory (1994)Studies in the History of Ita…Musical Humanism and Its Legacy: Essays in Honor of Claude V. Palisca (1994)Musical Humanism and Its Lega…Music Education and the Art of Performance in the German Baroque (1994)Music Education and the Art o…Personalbibliographien zu den Drucken des Barock (1990)Personalbibliographien zu den…In Defence of Rhetoric (1989)In Defence of RhetoricThe Enduring Monument: A Study of the Idea of Praise in Renaissance Literary Theory and Practice (1964)The Enduring Monument: A Stud…D. Martin Luther's Werke : kritische Gesamtausgabe (1963)D. Martin Luther's Werke : kr…Proof-Reading in the Sixteenth, Seventeenth, and Eighteenth Centuries. (1936)Proof-Reading in the Sixteent…Nicolaus Zangius: hudebník přelomu 16. a 17. století. Na stopě neznámému (2020)Nicolaus Zangius: hudebník př…Music in the market-place (2005)Scholars, Friends, Plagiarists: The Musician as Author in the Seventeenth Century (2017)Musical Authorship from Schütz to Bach (2019)The Cambridge History of Greek and Roman Political Thought (2000)The Cambridge History of Eighteenth-Century Philosophy (2006)Qualitative research as methodical hermeneutics. (2012)Counting the People in Hellenistic Egypt (2006)Oracles, Curses, and Risk Among the Ancient Greeks (2007)A History of Pythagoreanism (2014)"Venezia favorita da Maria": Music for the Madonna Nicopeia and Santa Maria della Salute (1984)The seventeenth-century musical ‘work’ (2005)Playing with history: the historical approach to musical performance (2003)Vocal performance in the seventeenth century (2012)Music, Modernity, and God (2013)Hobbes and the Purely Artificial Person of the State (1999)History and ideology in the English revolution (2002)Proof and Persuasion (2006)From codeswitching via language mixing to fused lects (1999)Reformation and the Culture of Persuasion (2005)German Histories in the Age of Reformations, 1400–1650 (2009)The Cambridge History of Music Criticism (2019)Writing about Popular Music (2019)Orpheus and Pickleherring in the Kremlin: The “Ballet” for the Tsar of February 1672 (2013)Zu Stefan Zweigs pluralistischem Sprachkonzept und seiner deskriptiven Ironie in der „Schachnovelle“ (2019)The Bible in the Roman Catholic Church from Trent to the Present Day (1963)The Printed Bible (1963)Calculating credibility: print culture, trust and economic figures in early eighteenth‐century England1 (2007)
this work references cited by second hop

References

  • 1989In Defence of Rhetoric418 cited
  • 1998The Oxford Classical Dictionary340 cited
  • 1963D. Martin Luther's Werke : kritische Gesamtausgabe230 cited
  • 1994Studies in the History of Italian Music and Music Theory200 cited
  • 1994Music Education and the Art of Performance in the German Baroque129 cited
  • 1996The letters of Claudio Monteverdi71 cited
  • 1936Proof-Reading in the Sixteenth, Seventeenth, and Eighteenth Centuries.68 cited
  • 1964The Enduring Monument: A Study of the Idea of Praise in Renaissance Literary Theory and Practice67 cited
  • 1990Personalbibliographien zu den Drucken des Barock62 cited
  • 2011Der Musicalische Quack-salber...52 cited
  • 1994Musical Humanism and Its Legacy: Essays in Honor of Claude V. Palisca51 cited
  • 2004Syntagma musicum III10 cited
  • 1996TALLIS, BYRD AND THE 'INCORRECTED COPY': SOME CAUTIONARY NOTES FOR EDITORS OF EARLY MUSIC PRINTED FROM MOVABLE TYPE9 cited

Cited by

  • 2020Nicolaus Zangius: hudebník přelomu 16. a 17. století. Na stopě neznámému5 cited

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