Digging the Africanist presence in American performance: dance and other contexts

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Arts and Performance Studies Theatre and Performance Studies Theater, Performance, and Music History

Abstract

Acknowledgments Introduction Up from Under: The Africanist Presence First Premises of an Africanist Aesthetic Don't Take Away My Picasso: Cultural Borrowing and the Afro-Euro-American Triangle Barefoot and Hot, Sneakered and Cool: Africanist Subtexts in Modern and Postmodern Dance Stripping the Emperor: George Balanchine and the Americanization of Ballet Past Imperfect: Performance, Power, and Politics on the Minstrel Stage Dance and Theater in a Multicultural Context: Who Stole the Soul, Who Takes the Rap, or Free To Be You and Me? Illustrations References Index

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2005Crossroads of Cultures: The Transnational Turn in American Studies--Presidential Address to the American Studies Association, November 12, 2004 2011Caribbean and Atlantic Diaspora Dance 2005The Black Body as Souvenir in American Lynching 2010Critical Postcolonial Dance Pedagogy: The Relevance of West African Dance Education in the United States 2013Hermes Pan: the man who danced with Fred Astaire 2000Waltzing in the dark: African American vaudeville and race politics in the swing era 2010Moving social justice: Challenges, fears and possibilities in dance education 2002Global Breakdancing and the Intercultural Body

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