The Operative Word in Soviet Factography

Devin Fore

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Visual Culture and Art Theory Soviet and Russian History Modernist Literature and Criticism

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October 01 2006 The Operative Word in Soviet Factography DEVIN FORE DEVIN FORE DEVIN FORE teaches at Princeton University, where he is an Assistant Professor in the German Department and an affiliated faculty member of the Department of Slavic Languages and Literature. Search for other works by this author on: This Site Google Scholar Author and Article Information DEVIN FORE DEVIN FORE teaches at Princeton University, where he is an Assistant Professor in the German Department and an affiliated faculty member of the Department of Slavic Languages and Literature. The material in this issue belongs to a more comprehensive study on Soviet factography and late modernism, All the Graphs. He is also presently working on two other projects: one examines the return of mimetic realism in German cultural production of the Popular Front era; the other is an introduction to and translation of Sergei Tret'iakov's 1936 monograph on the German photomonteur John Heartfield. Online ISSN: 1536-013X Print ISSN: 0162-2870 © 2006 October Magazine, Ltd. and Massachusetts Institute of Technology2006 October (2006) (118): 95–131. https://doi.org/10.1162/octo.2006.118.1.95 Cite Icon Cite Permissions Share Icon Share Facebook Twitter LinkedIn Email Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Search Site Citation DEVIN FORE; The Operative Word in Soviet Factography. October 2006; (118): 95–131. doi: https://doi.org/10.1162/octo.2006.118.1.95 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentAll JournalsOctober Search Advanced Search This content is only available as a PDF. © 2006 October Magazine, Ltd. and Massachusetts Institute of Technology2006 Article PDF first page preview Close Modal You do not currently have access to this content.

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2010Ideologies in Fact: Still and Moving‐Image Documentary in the Soviet Union, 1927–1932 2017L’histoire de la photographie sociale et documentaire dans l’entre-deux-guerres. Paris dans le contexte transnational 2019“Where I Have Been with my Camera”: Sergei Tret’iakov and Developing Operativity 2019Sergei Tret’iakov – The Writer as Photographer

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