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Scrambling for Scudi: Notes on Painters' Earnings in Early Baroque Rome
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Scrambling for Scudi: Notes on Painters' Earnings in Early Baroque Rome (2003)Scrambling for Scudi: Notes on Painters' …melancolía de Annibale Carracci: consideraciones sobre sus posibles causas y sus consecuencias (2023)melancolía de Annibale Carrac…Curating the Profane: Johann Joachim Winckelmann, Neoclassical Art Historian and First Curator of a Public Profane Museum (2022)Curating the Profane: Johann …Chapter 3 The History of Art Markets (2006)Chapter 3 The History of Art …A New Approach to Consumer Theory (1966)The Market for "Lemons": Quality Uncertainty and the Market Mechanism (1970)Institutions, Institutional Change and Economic Performance (1991)Les artistes en quantités. Ce que sociologues et économistes s'apprennent sur le travail et les professions artistiques (2010)Independent artist-run centres: an empirical analysis of the Montreal non-profit visual arts field (2011)The Economics of Renaissance Art (2017)Sources of the self: the making of the modern identity (1990)Likeness and presence: a history of the image before the era of art (1994)The Birth of the Museum: History, Theory, Politics (1996)The Devonshire Collection of Italian drawings (1994)The Invention of Annibale Carracci (2010)The Dark Side of Genius: The Melancholic Persona in Art, ca. 1500–1700 (2013)
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  • 2006Chapter 3 The History of Art Markets29 cited
  • 2023melancolía de Annibale Carracci: consideraciones sobre sus posibles causas y sus consecuencias1 cited
  • 2022Curating the Profane: Johann Joachim Winckelmann, Neoclassical Art Historian and First Curator of a Public Profane Museum1 cited

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