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A case study of Merce Cunningham's use of the LifeForms computer choreographic system in the making of Trackers
8 references·5 citing·31 second hop
A case study of Merce Cunningham's use of the LifeForms computer choreographic system in the making of Trackers (1993)A case study of Merce Cunningham's use of…The Discovery of Grounded Theory (2017)The Discovery of Grounded The…Dreams of Reason: The Computer and the Rise of the Sciences of Complexity (1989)Dreams of Reason: The Compute…Mental Models (1983)Mental ModelsThe Voice of Experience (1982)The Voice of ExperienceComputer power and human reason (1976)Computer power and human reas…Einstein: The Life and Times (1972)Einstein: The Life and TimesTHE ACT OF CREATION (1967)THE ACT OF CREATIONThe Creative Process (1955)The Creative ProcessHuman-AI Co-Dancing: Evolving Cultural Heritage through Collaborative Choreography with Generative Virtual Characters (2024)Human-AI Co-Dancing: Evolving…Moment by Moment (2015)Moment by MomentKinetic imaginations: exploring the possibilities of combining AI and dance (2015)Kinetic imaginations: explori…Kinetic dialogues (2015)Kinetic dialoguesCreative Computing and the Re-Configuration of Dance Ontology (2012)Creative Computing and the Re…The Reflective Practitioner: How Professionals Think in Action (1985)Basics of Qualitative Research: Grounded Theory Procedures and Techniques. (1992)The viewpoints book : a practical guide to viewpoints and composition (2005)The choreographer's notebook (2011)Dancing With Drones (2019)Proceedings of the 2021 AAAI/ACM Conference on AI, Ethics, and Society (2021)The Changing Nature of Human-AI Relations: A Scoping Review on Terminology and Evolvement in the Scientific Literature (2025)International Relations Theory and the End of the Cold War (1992)Problem solving, cognition, and complex systems: Differences between experts and novices (2001)Networks and Netwars: The Future of Terror, Crime, and Militancy (2002)The Discovery of Grounded Theory; Strategies for Qualitative Research (1968)Qualitative Analysis for Social Scientists (1987)Grounded theory research: Procedures, canons, and evaluative criteria (1990)It's About Time: Narrative and the Divided Self (1997)Black sound, black body: Jimi Hendrix, the electric guitar, and the meanings of blackness (1999)The oceanic feeling and a sea change: Historical challenges to reductionist attitudes to religion and spirit from within psychoanalysis. (2006)Minds, brains, and programs (1980)Music in Everyday Life (2000)Toward a Theory of Gender (2013)Positive affect facilitates creative problem solving. (1987)The psychology of curiosity: A review and reinterpretation. (1994)Learning by Expanding (2014)Personality, Situation, and Creativity (1989)On the neurobiology of creativity. Differences in frontal activity between high and low creative subjects (2000)Where creativity resides: The generative power of unconscious thought (2005)Situated Cognition and the Culture of Learning (1989)A Dynamic Theory of Organizational Knowledge Creation (1994)The weirdest people in the world? (2010)Contrasting approaches to a theory of learning (1981)Incremental effects of reward on creativity. (2001)A Material Theory of Induction (2003)
this work references cited by second hop

References

  • 2017The Discovery of Grounded Theory25,772 cited
  • 1983Mental Models5,181 cited
  • 1967THE ACT OF CREATION2,631 cited
  • 1976Computer power and human reason1,053 cited
  • 1955The Creative Process518 cited
  • 1972Einstein: The Life and Times270 cited
  • 1989Dreams of Reason: The Computer and the Rise of the Sciences of Complexity179 cited
  • 1982The Voice of Experience92 cited

Cited by

  • 2015Moment by Moment16 cited
  • 2024Human-AI Co-Dancing: Evolving Cultural Heritage through Collaborative Choreography with Generative Virtual Characters14 cited
  • 2015Kinetic imaginations: exploring the possibilities of combining AI and dance13 cited
  • 2012Creative Computing and the Re-Configuration of Dance Ontology11 cited
  • 2015Kinetic dialogues9 cited

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