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Recent French sociological scholarship suggests the notion of hypermodernity to characterize the contemporary moment. While the meanings of this concept vary, the idea of excess seems central. Informed by this new scholarship, this article analyzes the superlative rhetoric in contemporary televised and internet commercials, and suggests elective affinities between this rhetoric and the various trends characterizing the hypermodern present.
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Stored only when both papers are in the corpus — 17 citations exist upstream.
Papers that cite the same references — the relational fallback while embeddings are still backfilling.
Imported from OpenAlex (CC0) — nothing here is generated.