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Mapping the Terrain: a Survey of Site-Specific Performance in Britain
2 references·10 citing·38 second hop
Mapping the Terrain: a Survey of Site-Specific Performance in Britain (2002)Mapping the Terrain: a Survey of Site-Spe…The Poetics of Space: (2003)The Poetics of Space:Places of Performance: The Semiotics of Theatre Architecture (1990)Places of Performance: The Se…Experimental Beckett (2020)Experimental BeckettSite and Re-Site: Early Efforts to Serialize Site Dance (2017)Site and Re-Site: Early Effor…Bodies in place: location as collaborator in dance film (2014)Bodies in place: location as …Shakespeare, Rehearsal and the Site-Specific (2012)Shakespeare, Rehearsal and th…Geographies of the Performing Arts: Landscapes, Places and Cities (2012)Geographies of the Performing…Spatial Translation and ‘Present-ness’ in Site-Specific Dance Performance (2011)Spatial Translation and ‘Pres…Transient Roots Performance, place and exterritorials (2007)Transient Roots Performance, …The Production of ‘Site’: Site‐Specific Theatre (2007)The Production of ‘Site’: Sit…Engaging with place: artists, site-specificity and the Hebden Bridge Sculpture Trail (2006)Engaging with place: artists,…Place in the Performance Experience (2003)Place in the Performance Expe…The Perception of the Environment (2002)Place: A Short Introduction (2012)Entre l’art et la géographie, une question (d’)esthétique (2014)Qualitative methods III (2017)Co-Creation Beyond Humans: The Arts of Multispecies Placemaking (2022)The Presentation of Self in Everyday Life (2023)5. The Practice of Everyday Life (2000)Rehearsal from Shakespeare to Sheridan (2007)The Shakespearean Stage 1574–1642 (2009)Space and Place: The Perspective of Experience. (1978)Space and Place: The Perspective of Experience (1979)The Production of Space (1992)Thinking Site: An Introduction (2014)The Oxford Handbook of Early Modern Women's Writing in English, 1540-1700 (2022)Untimely Developments (2022)Site-Specific Art: Performance, Place and Documentation (2000)Narrative Inquiry: More Than Just Telling Stories (2002)Choreographing empathy: kinesthesia in performance (2011)Location, Location, Location: Dance Film and Site-Specific Dance (2016)PHENOMENOLOGY OF PERCEPTION (1963)Dance and the Lived Body — A Descriptive Aesthetics by Sondra Horton Fraleigh. Pittsburgh: University of Pittsburgh Press, 1987. xli + 284 pp., illustrations. $29.95. (1988)Art and Embodiment: From Aesthetics to Self-Consciousness (1995)Practice‐based educational and theatre research: A scoping review (2025)The Practice of Everyday Life (1988)Steps to an Ecology of Mind (1973)Laboratory Life: The Construction of Scientific Facts (1986)Meeting the Universe Halfway (2007)Samuel Beckett's Geological Imagination (2020)Absorption and Theatricality (2022)Understanding Home: A Critical Review of the Literature (2004)For better or worse: Exploring multiple dimensions of place meaning (2005)Finding Common Ground: The Importance of Place Attachment to Community Participation and Planning (2006)The Cambridge Introduction to Theatre Studies (2008)The Cambridge Introduction to Scenography (2009)Mapping Intermediality in Performance (2011)Engaging geographies of public art: indwellers, the ‘Butt Plug Gnome’ and their locale (2012)The Quarry as Sculpture: The Place of Making (2013)The Impacts of Public Art on Cities, Places and People’s Lives (2021)
this work references cited by second hop

References

  • 2003The Poetics of Space:2,071 cited
  • 1990Places of Performance: The Semiotics of Theatre Architecture188 cited

Cited by

  • 2003Place in the Performance Experience67 cited
  • 2012Geographies of the Performing Arts: Landscapes, Places and Cities53 cited
  • 2006Engaging with place: artists, site-specificity and the Hebden Bridge Sculpture Trail37 cited
  • 2020Experimental Beckett19 cited
  • 2012Shakespeare, Rehearsal and the Site-Specific18 cited
  • 2014Bodies in place: location as collaborator in dance film10 cited
  • 2017Site and Re-Site: Early Efforts to Serialize Site Dance8 cited
  • 2011Spatial Translation and ‘Present-ness’ in Site-Specific Dance Performance7 cited
  • 2007Transient Roots Performance, place and exterritorials6 cited
  • 2007The Production of ‘Site’: Site‐Specific Theatre6 cited

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