SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
'Geometric' Motifs in Khoe-San Rock Art: Depictions of Designs, Decorations and Ornaments in the Gestoptefontein-Driekuil Complex, South Africa
0 references·13 citing·39 second hop
'Geometric' Motifs in Khoe-San Rock Art: Depictions of Designs, Decorations and Ornaments in the Gestoptefontein-Driekuil Complex, South Africa (2014)'Geometric' Motifs in Khoe-San Rock Art: …Trains, Tracks, Transition: Ambivalence in Northern Sotho Colonial Contact-Period Rock Art, the Makgabeng, South Africa (2025)Trains, Tracks, Transition: A…Identity Through Iteration: Secondary Imagemaking Practices as Expressions of Cultural Continuity, Change and Interpretation in the Rock Art of Southern Africa (2025)Identity Through Iteration: S…Digital Preservation and Access to Cultural Heritage in South Africa: The Case of the African Rock Art Digital Archive (2025)Digital Preservation and Acce…Spatial and temporal trends in the distribution of engraved eggshell fragments: A comparative view from the Holocene archaeological record of southern Africa and southern South America (2024)Spatial and temporal trends i…Dances with Zigzags in Toro Muerto, Peru: Geometric Petroglyphs as (Possible) Embodiments of Songs (2024)Dances with Zigzags in Toro M…Body Modifications among San Hunter-Gatherers (2024)Body Modifications among San …The Cognitive Processus Behind Neolithic Schematic Rock Art. Archaeological Implications and Research Hypothesis (2022)The Cognitive Processus Behin…New prehistoric rock art from the Caucasus? Results of the study of the Damirgaya rock shelter in Georgia (2022)New prehistoric rock art from…Escape and abscond: the use of ostrich potency by nineteenth-century rock artists in the Eastern Cape Province, South Africa (2022)Escape and abscond: the use o…Indigenising the gun – rock art depictions of firearms in the Eastern Cape, South Africa (2019)Indigenising the gun – rock a…‘Appetite comes with eating’: Of Raiding and Wrong-Doing (2019)‘Appetite comes with eating’:…Interpreting superimposition in the rock art of the Makgabeng of South Africa’s Limpopo Province (2016)Interpreting superimposition …Bees, honey and brood: southern African hunter-gatherer rock paintings of bees and bees’ nests, uKhahlamba-Drakensberg, KwaZulu-Natal, South Africa (2015)Bees, honey and brood: southe…Specimens of Bushman Folk-lore (1911)Specimens of Bushman Folklore (1912)Believing and Seeing: Symbolic Meanings in Southern San Rock Paintings. (1982)Digital Technology in Research and Documentation of Hunter-Gatherer Rock Art in South Africa (2018)The devil’s in the detail: revisiting the ceiling panel at RSA CHI1, Kamberg, KwaZulu-Natal, South Africa (2021)Hanging over the Void. Uses of Long Ropes and Climbing Rope Ladders in Prehistory as Illustrated in Levantine Rock Art (2023)People of the Eland: Rock-Paintings of the Drakensberg Bushmen as a Reflection of Their Life and Thought (1978)The Signs of All Times: Entoptic Phenomena in Upper Palaeolithic Art [and Comments and Reply] (1988)Miscast: negotiating the presence of the Bushmen (1998)Trouble on the Tarka: The History of Bandit Groups on the Cape Colony’s Eastern Border and the Archive of Their Rock Art (2020)A Complete Skull from Dmanisi, Georgia, and the Evolutionary Biology of Early Homo (2013)Sacred landscapes of the south-eastern USA: prehistoric rock and cave art in Tennessee (2013)The Archaeology of the Caucasus: From Earliest Settlements to the Iron Age (2017)KAFKASLAR'DA TÜRK İZLERİ: GÜRCİSTAN PETROGLİFLERİ (2025)Evolution and Uses of Rock Art Sites: Contribution of Morphogenic Mapping of Rock Walls (2026)Hunters and Herders of Southern Africa (1992)Frontiers and Boundaries in Archaeological Perspective (1995)A Beacon of Home: Struthio camelus and the Parameters of Humanity in Southern African Hunter-gatherer Lifeways (2026)Arte rupestre en Alicante (1988)Representations of women in Spanish Levantine rock art (2002)Le Principe de la chimère (2007)The !Kung San: Men, Women and Work in a Foraging Society. (1981)Style and Social Information in Kalahari San Projectile Points (1983)Engraved ochres from the Middle Stone Age levels at Blombos Cave, South Africa (2009)The !Kung San: Men, Women, and Work in a Foraging Society (1982)Cosmological Deixis and Amerindian Perspectivism (1998)Beyond Nature and Culture (2007)Teaching Through Making: |xam and !xun Material Culture of the Bleek and Lloyd Collection (2026)The Perception of the Environment: Essays on Livelihood, Dwelling and Skill (2012)“We Begin in Water, and We Return to Water”: Track Rock Tradition Petroglyphs of Northern Georgia and Western North Carolina (2025)The Social Life of Things (1986)Entangled Objects (1991)Making (2013)Diverse performances on a shared stage: rock art of Kaingo Sheep Rock Shelter, Waterberg, South Africa (2026)The materialities of pigments, paints and personhood in San rock paintings: celebrating the inspiration from David Lewis-Williams (2026)The persistence of memory: reuse and resignification of prehistoric petroglyphs in historical times. Two case studies from Malagón (La Mancha, Spain) (2026)Taking Stock (2004)The Oxford Handbook of the Archaeology and Anthropology of Rock Art (2017)The Southern African Stone Age Site Index (SASSI): A Spatial, Chronological and Contextual Resource for Archaeological Research (2026)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2015Bees, honey and brood: southern African hunter-gatherer rock paintings of bees and bees’ nests, uKhahlamba-Drakensberg, KwaZulu-Natal, South Africa13 cited
  • 2019Indigenising the gun – rock art depictions of firearms in the Eastern Cape, South Africa6 cited
  • 2025Identity Through Iteration: Secondary Imagemaking Practices as Expressions of Cultural Continuity, Change and Interpretation in the Rock Art of Southern Africa4 cited
  • 2022New prehistoric rock art from the Caucasus? Results of the study of the Damirgaya rock shelter in Georgia3 cited
  • 2024Spatial and temporal trends in the distribution of engraved eggshell fragments: A comparative view from the Holocene archaeological record of southern Africa and southern South America3 cited
  • 2025Digital Preservation and Access to Cultural Heritage in South Africa: The Case of the African Rock Art Digital Archive2 cited
  • 2022Escape and abscond: the use of ostrich potency by nineteenth-century rock artists in the Eastern Cape Province, South Africa2 cited
  • 2022The Cognitive Processus Behind Neolithic Schematic Rock Art. Archaeological Implications and Research Hypothesis2 cited
  • 2024Body Modifications among San Hunter-Gatherers2 cited
  • 2024Dances with Zigzags in Toro Muerto, Peru: Geometric Petroglyphs as (Possible) Embodiments of Songs1 cited
  • 2016Interpreting superimposition in the rock art of the Makgabeng of South Africa’s Limpopo Province1 cited
  • 2019‘Appetite comes with eating’: Of Raiding and Wrong-Doing

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

0 cited
  • 2025Trains, Tracks, Transition: Ambivalence in Northern Sotho Colonial Contact-Period Rock Art, the Makgabeng, South Africa0 cited