SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
The Performative Force of Photography
14 references·2 citing·26 second hop
The Performative Force of Photography (2009)The Performative Force of PhotographyThe Civil Contract of Photography (2021)The Civil Contract of Photogr…Compassion (2014)CompassionThe Threshold of the Visible World (2013)The Threshold of the Visible …Performativity and Performance (2013)Performativity and PerformancePerformativity and Performance (2010)Performativity and PerformanceThe Affective Turn (2007)The Affective TurnUnmarked (2003)UnmarkedTouching Feeling: Affect, Pedagogy, Performativity (2003)Touching Feeling: Affect, Ped…Touching Feeling (2003)Touching FeelingThe Archive and the Repertoire: Performing Cultural Memory in the Americas (2003)The Archive and the Repertoir…The Archive and the Repertoire (2003)The Archive and the RepertoireCamera Lucida: Reflections on Photography (2001)Camera Lucida: Reflections on…The Object of Performance: The American Avant-Garde since 1970 (1990)The Object of Performance: Th…How To Do Things With Words (1975)How To Do Things With WordsCitizens of photography: visual activism, social media and rhetoric of collective action in Cambodia (2021)Citizens of photography: visu…Grimaldi’s iconic photograph: Bloody Sunday, Derry 1972 (2017)Grimaldi’s iconic photograph:…Surviving Images: Holocaust Photographs and the Work of Postmemory (2001)Handbook of the Arts in Qualitative Research: Perspectives, Methodologies, Examples, and Issues (2008)The new neoliberal subjects? Young/er academics’ constructions of professional identity (2008)Introduction to WordNet: An On-line Lexical Database * (1990)Positioning: The Discursive Production of Selves (1990)A Dynamic Theory of Organizational Knowledge Creation (1994)9. The Generation Of Postmemory (2008)The Indigenous State: Race, Politics, and Performance in Plurinational Bolivia (2017)Exemplary Ethics in Ancient Rome (2018)Affective spaces, melancholic objects: ruination and the production of anthropological knowledge* (2009)Involutionary Momentum: Affective Ecologies and the Sciences of Plant/Insect Encounters (2012)Affect and discourse – What’s the problem? From affect as excess to affective/discursive practice (2013)Intensities of feeling: towards a spatial politics of affect (2004)Affective solidarity: Feminist reflexivity and political transformation (2012)Unsettling care: Troubling transnational itineraries of care in feminist health practices (2015)INVOKING AFFECT (2005)Matter out of place: visibility and sexualities in leisure spaces (1999)Reading Erasures and Making the Familiar Strange: Defamiliarizing Methods for Research in Formerly Colonized and Historically Oppressed Communities (2003)The Art of Doing (Geographies of) Music (2007)Tweets, Tweeps, and Signifyin’ (2013)After the party: a manifesto for queer of color life (2019)Feminism and Cultural Memory: An Introduction (2002)Data Derivatives (2011)From Gaza to Warsaw: Mapping Multidirectional Memory (2011)Wounded cities: Memory-work and a place-based ethics of care (2011)Objects of Affect: Photography Beyond the Image (2012)
this work references cited by second hop

References

  • 1975How To Do Things With Words21,513 cited
  • 2001Camera Lucida: Reflections on Photography5,456 cited
  • 2003The Archive and the Repertoire: Performing Cultural Memory in the Americas2,542 cited
  • 2003Touching Feeling2,463 cited
  • 2003The Archive and the Repertoire2,114 cited
  • 2007The Affective Turn1,767 cited
  • 2003Touching Feeling: Affect, Pedagogy, Performativity1,652 cited
  • 2021The Civil Contract of Photography1,165 cited
  • 2003Unmarked803 cited
  • 2013The Threshold of the Visible World459 cited
  • 2013Performativity and Performance309 cited
  • 2014Compassion207 cited
  • 1990The Object of Performance: The American Avant-Garde since 197090 cited
  • 2010Performativity and Performance54 cited

Cited by

  • 2021Citizens of photography: visual activism, social media and rhetoric of collective action in Cambodia24 cited
  • 2017Grimaldi’s iconic photograph: Bloody Sunday, Derry 19722 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work