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Prepositional Phases: The Political Effects of Art on Audience
16 references·2 citing·27 second hop
Prepositional Phases: The Political Effects of Art on Audience (1991)Prepositional Phases: The Political Effec…THE DIALECTICAL IMAGINATION (2019)THE DIALECTICAL IMAGINATIONEros and Civilization (2012)Eros and CivilizationThe Work of Art in the Age of Mechanical Reproduction (2007)The Work of Art in the Age of…Periodizing the 60s (1984)Periodizing the 60sArt-as-Politics: The Abstract Expressionist Avant-Garde and Society (1983)Art-as-Politics: The Abstract…The Author as Producer (1982)The Author as ProducerThe Originality of the Avant-Garde: A Postmodernist Repetition (1981)The Originality of the Avant-…The Aesthetic Dimension: Towards a Critique of Marxist Aesthetics (1981)The Aesthetic Dimension: Towa…On the Museum's Ruins (1980)On the Museum's RuinsThe Aesthetic Dimension (1978)The Aesthetic DimensionPhilosophy of Modern Music (1976)Philosophy of Modern MusicPhilosophy of Modern Music (1974)Philosophy of Modern MusicThe Dialectical Imagination (1973)The Dialectical ImaginationBasic Writings of Nietzsche (1968)Basic Writings of NietzscheClassic, Romantic, and Modern (1961)Classic, Romantic, and ModernSocial History of Art (1951)Social History of ArtHandmaids' Tales of Washington Power: The Abject and the Real Kennedy White House (1998)Handmaids' Tales of Washingto…Empathetic Cooperation: A Feminist Method For IR (1994)Empathetic Cooperation: A Fem…Disjuncture and Difference in the Global Cultural Economy (1990)Can Consumers Escape the Market? Emancipatory Illuminations from Burning Man (2002)Extended Self in a Digital World: Table 1. (2013)Higher-order factors of the Big Five predict conformity: Are there neuroses of health? (2002)The Emergence of a Scientific Culture (2006)Hermeneutics and the Human Sciences (2019)Critical Theory, Poststructuralism, Postmodernism: Their Sociological Relevance (1991)Democracy and the Limits of Self-Government (2010)Max Horkheimer and the Foundations of the Frankfurt School (2011)Popular Culture as Oppositional Culture: Rap as Resistance (1997)After Adorno : rethinking music sociology (2003)The Total Work of Art in European Modernism (2011)The aura of accounting in the context of a crisis: Germany and the first world war (1991)Crime, Edgework and Corporeal Transaction (2004)The aesthetics of consumption and the consumer as an aesthetic subject (2008)Authoritarianism and Related Constructs (1991)Modernism, Postmodernism and Organizational Analysis 4: The Contribution of Jürgen Habermas (1994)Global English and Political Economy (2021)One-Dimensional Man (2000)The German Aesthetic Tradition (2002)On Critical Ethnographic Work (1986)Twentieth-Century Literary Theory (1988)The Handbook of Journalism Studies (2009)A sonic geography of voice (2011)Europe's ordoliberal iron cage: critical political economy, the euro area crisis and its management (2015)On the Idea of Emancipation in Management and Organization Studies (1992)The Meanings of Social Life: A Cultural Sociology (2003)
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References

  • 2007The Work of Art in the Age of Mechanical Reproduction3,820 cited
  • 2012Eros and Civilization1,358 cited
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  • 2019THE DIALECTICAL IMAGINATION319 cited
  • 1976Philosophy of Modern Music314 cited
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  • 1974Philosophy of Modern Music270 cited
  • 1982The Author as Producer241 cited
  • 1984Periodizing the 60s225 cited
  • 1951Social History of Art219 cited
  • 1961Classic, Romantic, and Modern111 cited
  • 1981The Originality of the Avant-Garde: A Postmodernist Repetition84 cited
  • 1980On the Museum's Ruins60 cited
  • 1983Art-as-Politics: The Abstract Expressionist Avant-Garde and Society33 cited

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  • 1994Empathetic Cooperation: A Feminist Method For IR

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127 cited
  • 1998Handmaids' Tales of Washington Power: The Abject and the Real Kennedy White House33 cited