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Evasive Enlightenment:World Without Endand the Internationalism of Postwar Documentary
16 references·0 citing·27 second hop
Evasive Enlightenment:World Without Endand the Internationalism of Postwar Documentary (2013)Evasive Enlightenment:World Without Endan…Portrait of an Invisible Man: The Working Life of Stewart Mcallister, Film Editor (2011)Portrait of an Invisible Man:…Shadows of Progress: Documentary Film in Post-War Britain (2010)Shadows of Progress: Document…Thailand (2007)ThailandSpace, time and political responsibility in the midst of global inequality (2006)Space, time and political res…Encyclopedia of the documentary film (2006)Encyclopedia of the documenta…3.2. MARXISM AND LITERATURE (2006)3.2. MARXISM AND LITERATUREDoctrines Of Development (2003)Doctrines Of DevelopmentJoris Ivens and the Documentary Context (1999)Joris Ivens and the Documenta…Film and Literature: An Introduction and Reader (1999)Film and Literature: An Intro…The Rules of Art (1996)The Rules of ArtTheorizing documentary (1993)Theorizing documentaryFilm and reform: John Grierson and the documentary film movement (1990)Film and reform: John Grierso…Art Cinema as Institution (1981)Art Cinema as InstitutionJohn Grierson: A documentary biography (1979)John Grierson: A documentary …Marxism and Literature (1978)Marxism and LiteratureWhat is cinema (1967)What is cinemaAdaptation, Translation, Critique (2007)100+ Years of Adaptations, or, Adaptation as the Art Form of Democracy (2012)Theorizing Adaptation (2020)Out of the Theaters and Into the Streets: A Coalition Model of the Political Impact of Documentary Film and Video (2004)Moving Forward, Looking Back : The European Avant-garde and the Invention of Film Culture, 1919-1939 (2007)Securitizing Islam: identity and the search for security (2013)Tourism and Sustainable Development: Exploring the Theoretical Divide (2000)Seeing the State (2005)Thinking between the Posts: Postcolonialism, Postsocialism, and Ethnography after the Cold War (2008)A Thousand Plateaus: Capitalism and Schizophrenia (1989)Analysing Discourse: Textual Analysis for Social Research (2003)Cruising utopia: the then and there of queer futurity (2010)Paradox and the Consumption of Authenticity through Reality Television (2005)The Mass Production of the Senses: Classical Cinema as Vernacular Modernism (2009)The Attentional Theory of Cinematic Continuity (2012)Reconceptualizing national cinema/s (1993)Film Festivals : From European Geopolitics to Global Cinephilia (2007)World Cinemas, Transnational Perspectives (2009)the romance of resistance: tracing transformations of power through Bedouin women (1990)Language and Agency (2001)Towards a Politics of Mobility (2010)‘It's all becoming a habitus’: beyond the habitual use of habitus in educational research (2004)Bourdieu, the media and cultural production (2006)Ways of constructing research questions: gap-spotting or problematization? (2010)Death Every Afternoon (2003)Imperfect Media and the Poetics of Indigenous Video in Latin America (2008)When is Fiction as Good as Fact? Comparing the Influence of Documentary and Historical Reenactment Films on Engagement, Affect, Issue Interest, and Learning (2009)
this work references cited by second hop

References

  • 1978Marxism and Literature4,734 cited
  • 20063.2. MARXISM AND LITERATURE4,509 cited
  • 1996The Rules of Art2,397 cited
  • 2003Doctrines Of Development809 cited
  • 1967What is cinema602 cited
  • 1993Theorizing documentary501 cited
  • 1999Film and Literature: An Introduction and Reader175 cited
  • 1981Art Cinema as Institution164 cited
  • 1990Film and reform: John Grierson and the documentary film movement141 cited
  • 2007Thailand114 cited
  • 2006Space, time and political responsibility in the midst of global inequality99 cited
  • 2006Encyclopedia of the documentary film75 cited
  • 1979John Grierson: A documentary biography63 cited
  • 1999Joris Ivens and the Documentary Context34 cited
  • 2010Shadows of Progress: Documentary Film in Post-War Britain26 cited
  • 2011Portrait of an Invisible Man: The Working Life of Stewart Mcallister, Film Editor24 cited

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