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Perceptual judgement of the relationship between musical and visual components in film.
13 references·7 citing·35 second hop
Perceptual judgement of the relationship between musical and visual components in film. (1994)Perceptual judgement of the relationship …Effects of Musical Soundtracks on Attitudes toward Animated Geometric Figures (1988)Effects of Musical Soundtrack…Film sound: Theory and practice (1985)Film sound: Theory and practi…The Stratification of Musical Rhythm (1976)The Stratification of Musical…Soundtrack: The Music Of The Movies (1975)Soundtrack: The Music Of The …The After-Effects of Ventriloquism (1974)The After-Effects of Ventrilo…Sight, Sound, Motion: Applied Media Aesthetics (1973)Sight, Sound, Motion: Applied…Song Structure and Social Structure (1962)Song Structure and Social Str…Emotion and Meaning in Music (1961)Emotion and Meaning in MusicThe Measurement of Meaning (1957)The Measurement of MeaningAn Objective Psychology of Music (1953)An Objective Psychology of Mu…Philosophy in a New Key. A Study in the Symbolism of Reason, Rite, and Art. (1944)Philosophy in a New Key. A St…The Film Sense (1943)The Film SenseWhat is a Question? (1929)What is a Question?Sensory translation between audition and vision (2023)Sensory translation between a…Parameters of Perception: Vision, Audition, and Twentieth-Century Music and Dance (2017)Parameters of Perception: Vis…Congruence-Association Model of music and multimedia: Origin and evolution (2013)Congruence-Association Model …Quantitative and visual analysis of the impact of music on perceived emotion of film (2007)Quantitative and visual analy…From Mediated Environments to the Development of Consciousness II (2007)From Mediated Environments to…PERCEIVED MATCH BETWEEN VISUAL PARAMETERS AND AUDITORY CORRELATES: AN EXPERIMENTAL MULTIMEDIA INVESTIGATION (2004)PERCEIVED MATCH BETWEEN VISUA…Interactions in Perceived Quality of Auditory-Visual Displays (2000)Interactions in Perceived Qua…Visual Factors in Auditory Localization (1953)Sensory conflict in judgments of spatial direction (1969)Intermodality inconsistency of input and directed attention as determinants of the nature of adaptation. (1970)Chapter 15 Meaning, attention, and the “unity assumption” in the intersensory bias of spatial and temporal perceptions (1999)Tactile “capture” of audition (2002)Why Seeing Is Believing: Merging Auditory and Visual Worlds (2005)An Experimental Study of Apparent Behavior (1944)The Psychology of Interpersonal Relations. (1958)Interactions between auditory and visual processing when listening to music in an audiovisual context: 1. Matching 2. Audio quality. (1994)Combined perception of emotion in pictures and musical sounds (2006)The emotional experience of films: does Audio Description make a difference? (2015)Music, Mood, and Marketing (1990)Affective understanding in film (2006)Increasing trust in mobile commerce through design aesthetics (2010)Framing the Days: Place and Narrative in Cartography (2008)“Minding the Gap”: Imagination, Creativity and Human Cognition (2011)Archaeology and the Senses: Human Experience, Memory, and Affect (2014)Handbook of Emotions (1993)A cognitive developmental approach to morality: investigating the psychopath (1995)Well-being : the foundations of hedonic psychology (1999)The Mass Media and American Politics (1989)Evolution and Cognition (2001)A metaphor-enriched social cognition. (2010)Attitudinal effects of mere exposure. (1968)Measuring emotion: The self-assessment manikin and the semantic differential (1994)A model of (often mixed) stereotype content: Competence and warmth respectively follow from perceived status and competition. (2002)Rhythm, Rhyme, and Rhetoric in the Music of Public Enemy (1995)Fantasy Pieces (1999)Formal Functions of Metric Dissonance in Rock Music (2014)“Race records” and “hillbilly music”: institutional origins of racial categories in the American commercial recording industry (2004)Play, Music, and Taboo in the Reproduction of an Egalitarian Society (2016)Improvisation and Social Aesthetics (2017)Reforming "Jackass Music": The Problematic Aesthetics of Early American Film Music Accompaniment (1997)Is Funny Music Funny? Contexts and Case Studies of Film Music Humor (2002)Sound matters: Notes toward the analysis and design of sound in multimodal webtexts (2006)
this work references cited by second hop

References

  • 1957The Measurement of Meaning9,430 cited
  • 1961Emotion and Meaning in Music1,957 cited
  • 1944Philosophy in a New Key. A Study in the Symbolism of Reason, Rite, and Art.902 cited
  • 1973Sight, Sound, Motion: Applied Media Aesthetics495 cited
  • 1985Film sound: Theory and practice381 cited
  • 1976The Stratification of Musical Rhythm233 cited
  • 1943The Film Sense207 cited
  • 1962Song Structure and Social Structure173 cited
  • 1974The After-Effects of Ventriloquism171 cited
  • 1988Effects of Musical Soundtracks on Attitudes toward Animated Geometric Figures157 cited
  • 1953An Objective Psychology of Music123 cited
  • 1975Soundtrack: The Music Of The Movies67 cited
  • 1929What is a Question?58 cited

Cited by

  • 2000Interactions in Perceived Quality of Auditory-Visual Displays62 cited
  • 2013Congruence-Association Model of music and multimedia: Origin and evolution50 cited
  • 2007Quantitative and visual analysis of the impact of music on perceived emotion of film40 cited

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  • 2004PERCEIVED MATCH BETWEEN VISUAL PARAMETERS AND AUDITORY CORRELATES: AN EXPERIMENTAL MULTIMEDIA INVESTIGATION40 cited
  • 2023Sensory translation between audition and vision38 cited
  • 2007From Mediated Environments to the Development of Consciousness II22 cited
  • 2017Parameters of Perception: Vision, Audition, and Twentieth-Century Music and Dance9 cited