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The psycho-historical theory of art posits that the functions of an artwork are effects of that artwork selected and reproduced because they fulfill humans’ mental and social needs. To develop this account, I hypothesize a cluster of core functions of environmental art, which encompasses effects such as tracking, broadcasting, emotions manipulation, cooperation, and critical reflection.
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Stored only when both papers are in the corpus — 10 citations exist upstream.
Papers that cite the same references — the relational fallback while embeddings are still backfilling.
Imported from OpenAlex (CC0) — nothing here is generated.