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Gordon Craig wished to effect a revolution in the late Victorian theatre. To justify that rejection of the world of his parents (Ellen Terry, Edwin Godwin) and mentor (Henry Irving), he developed an obsessive identification with Hamlet, seeing himself chosen by destiny to use the power of the play to cleanse the world of evils.
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Stored only when both papers are in the corpus — 27 citations exist upstream.
Papers that cite the same references — the relational fallback while embeddings are still backfilling.
Imported from OpenAlex (CC0) — nothing here is generated.