Stockhausen's electronic works; sketches and work‐sheets from 1952–1967

Abstract

The extensive literature on Stockhausen's tape compositions is mainly concerned with finished products and printed scores. This article gives a survey of the extant sketch materials, from the earliest “musique concrete” etudes to Hymnen. In addition to discussion of the composition techniques underlying the various works, the article reproduces fair copies of many of the sketches from which they were realised.

Cite this work

No public copy is stored for this record, so only the metadata is cited.

Stored only when both papers are in the corpus — 15 citations exist upstream.

Papers that cite the same references — the relational fallback while embeddings are still backfilling.