Nonfiction Fiction: Documentaries on Iran

Abstract

Iran has often been the subject of many nonfiction films and television programs produced by Western countries, particularly Britain and the United States. Although these films about Iran were made by a diverse group of private and governmental agencies, overall they have tended both to emphasize the supremacy of West over the ancient, backward East and to support the evolving policies and ideologies toward Iran held by the Western governments and their multi-national corporations. Western audiences who viewed these films and programs as enployees of corporations, members of armed forces units, students in schools or the general public, must have experienced a certain self-congratulatory gratification with their own ideological and material conditions and a confidence in the policies espoused by their governments toward underdeveloped countries such as Iran. From the scant information available, it seems that the responses of the Iranian audiences (especially of those educated in the West and whose views of Iran, as we shall see later, partially coincided with those of Westerners) to these films were composed of a mixture of shame for their failure to modernize, and exasperation at being incorrectly or insufficiently represented.

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