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Cited by

• 2018Polyphony in medieval Paris the art of composing with plainchant68 cited
• 2015The Monstrous New Art: Divided Forms in the Late Medieval Motet57 cited
• 2017HOCKETS BROKEN AND INTEGRATED IN EARLY MENSURAL THEORY AND AN EARLY MOTET50 cited
• 2013CONTRAFACTA AND TRANSCRIBED MOTETS: VERNACULAR INFLUENCES ON LATIN MOTETS AND CLAUSULAE IN THE FLORENCE MANUSCRIPT45 cited
• 2012New Texts for Old Music: Three Early Thirteenth-Century Latin Motets39 cited
• 2013A NEW LINK BETWEEN THE MOTET AND TROUVÈRE CHANSON: THEPEDES-CUM-CAUDAMOTET26 cited
• 2016The Earliest Source of Notre-Dame Polyphony? A New Conductus Fragment from the Early Thirteenth Century23 cited
• 2013SINGING THE HICCUP – ON TEXTING THE HOCKET22 cited
• 2017Rape and Repentance in Two Medieval Motets22 cited
• 2016A medieval patchwork song: poetry, prayer and music in a thirteenth-century conductus21 cited
• 1998The Selection of Clausula Sources for Thirteenth- Century Motets: Some Practical Considerations and Aesthetic Implications19 cited
• 2019Songs of Nature in Medieval Northern France: Landscape, Identity, and Environment19 cited
• 2011FIRE, FOLIAGE AND FURY: VESTIGES OF MIDSUMMER RITUAL IN MOTETS FOR JOHN THE BAPTIST18 cited
• 1996