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Interacting Pulse Streams in Schoenberg's Atonal Polyphony
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  • 2009Banjo Transformations and Bluegrass Rhythm75 cited
  • 2019Enacting Musical Time68 cited
  • 2007Re-casting Metal: Rhythm and Meter in the Music of Meshuggah56 cited
  • 1997The Practice of Perception: Multi-Functionality and Time in the Musical Experiences of a Heavy Metal Drummer34 cited
  • 2010Beats that Commute: Algebraic and Kinesthetic Models for Math-Rock Grooves32 cited
  • 2006M etric D isplacement D issonance and R omantic L onging in the G erman L ied29 cited
  • 2004Twentieth-Century Chamber Music26 cited
  • 2001Pulse Streams and Problems of Grouping and Metrical Dissonance in Bartök’s “With Drums and Pipes”21 cited
  • 2008Persistence and change: Local and global components of metre induction using Inner Metric Analysis21 cited
  • 2008Metric Analysis and the Metaphor of Energy: A Way into Selected Songs by Wolf and Schoenberg20 cited
  • 2021Gould’s Creaking Chair, Schoenberg’s Metric Clarity15 cited
  • 2013Sound and semantics: topics in the music of Arnold Schoenberg15 cited
  • 2006Autonomy and Dialog in Elliott Carter's Enchanted Preludes14 cited
  • 2003Schoenberg's “SINGLE SECOND OF MAXIMUM SPIRITUAL Excitement”: COMPRESSION AND EXPANSION INERWARTUNG, Op. 17

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13 cited
  • 2006C o‐operating C ontinuities in the M usic of T homas A dès12 cited
  • 2010Rhythm and Meter in the Music of Dream Theater9 cited