During and after the IMF crisis of 1997–2001 several South Korean films deployed time travel narratives to explore the impact of compressed modernity on national identity. These films "decompressed" recent history to negotiate social changes brought about by the crisis, particularly in relation to changing gender roles.
Stored only when both papers are in the corpus — 25 citations exist upstream.
Imported from OpenAlex (CC0) — nothing here is generated.