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Flickering images, floating signifiers: optical innovation and visual piety in senegal
16 references·2 citing·33 second hop
Flickering images, floating signifiers: optical innovation and visual piety in senegal (2008)Flickering images, floating signifiers: o…The sacred gaze: religious visual culture in theory and practice (2005)The sacred gaze: religious vi…The Sacred Gaze (2005)The Sacred GazeThe Corporeal Image (2005)The Corporeal ImagePhotographs Objects Histories (2004)Photographs Objects HistoriesModernity at Large: Cultural Dimensions of Globalization. (1998)Modernity at Large: Cultural …Reading National Geographic (1994)Reading National GeographicPicture theory: essays on verbal and visual representation (1994)Picture theory: essays on ver…Likeness and presence: a history of the image before the era of art (1994)Likeness and presence: a hist…Entangled Objects: Exchange, Material Culture, and Colonialism in the Pacific (1993)Entangled Objects: Exchange, …The Power of Images: Studies in the History and Theory of Response (1991)The Power of Images: Studies …Techniques of the observer: on vision and modernity in the nineteenth century (1991)Techniques of the observer: o…When Old Technologies Were New (1989)When Old Technologies Were NewTHE POWER OF IMAGES (1989)THE POWER OF IMAGESThe Originality of the Avant Garde and Other Modernist Myths (1988)The Originality of the Avant …The colonial harem (1986)The colonial haremThe Colonial Harem (1986)The Colonial Harem3DZiyarat: Lenticularity and technologies of the moving image in material and visual piety (2021)3DZiyarat: Lenticularity and …Objects on the Edge: Swahili Coast Logics of Display (2009)Objects on the Edge: Swahili …Tropics of Discourse: Essays in Cultural Criticism (1979)The taste of ethnographic things: the senses in anthropology (1990)Film Bodies: Gender, Genre, and Excess (1991)Mobilising Visual Ethnography: Making Routes, Making Place and Making Images (2008)Multimodality, multisensoriality and ethnographic knowing: social semiotics and the phenomenology of perception (2011)Archaeology and the Senses: Human Experience, Memory, and Affect (2014)Cultural geography: the busyness of being `more-than-representational' (2005)Central Themes in the Study of Transnational Parenthood (2012)Objects of Affect: Photography Beyond the Image (2012)Unquiet Understanding: Gadamer's Philosophical Hermeneutics (2006)Multiple Secularities: Toward a Cultural Sociology of Secular Modernities (2012)Sex Robot Matters: Slavery, the Prostituted, and the Rights of Machines (2016)Surviving Images: Holocaust Photographs and the Work of Postmemory (2001)An anthropologist underwater: Immersive soundscapes, submarine cyborgs, and transductive ethnography (2007)The Quadruple Object (2011)Migrant “Illegality” and Deportability in Everyday Life (2002)How Ideas Spread: Whose Norms Matter? Norm Localization and Institutional Change in Asian Regionalism (2004)The New Mobilities Paradigm (2006)Identity and agency in cultural worlds (1999)Trying to Be Cosmopolitan (1999)The Production of Culture Perspective (2004)Art and Agency An Anthropological Theory (1998)The Fire of Desire: A Multisited Inquiry into Consumer Passion (2003)Visual essentialism and the object of visual culture (2003)The Aesthetic Turn in International Political Theory (2001)On the Relation between ‘Visual Research Methods’ and Contemporary Visual Culture (2013)Accounting narratives and the narrative turn in accounting research: Issues, theory, methodology, methods and a research framework (2014)Cutting the Network (1996)The cultural biography of objects (1999)Economization, part 2: a research programme for the study of markets (2010)The World as Exhibition (1989)Representing Nationality in China: Refiguring Majority/Minority Identities (1994)Do Muslim Women Really Need Saving? Anthropological Reflections on Cultural Relativism and Its Others (2002)
this work references cited by second hop

References

  • 1998Modernity at Large: Cultural Dimensions of Globalization.18,135 cited
  • 1991Techniques of the observer: on vision and modernity in the nineteenth century2,953 cited
  • 1994Picture theory: essays on verbal and visual representation1,636 cited
  • 1989THE POWER OF IMAGES1,053 cited
  • 1994Likeness and presence: a history of the image before the era of art1,039 cited
  • 1993Entangled Objects: Exchange, Material Culture, and Colonialism in the Pacific944 cited
  • 1986The Colonial Harem912 cited
  • 1994Reading National Geographic684 cited
  • 2004Photographs Objects Histories569 cited
  • 2005The Corporeal Image515 cited
  • 1988The Originality of the Avant Garde and Other Modernist Myths505 cited
  • 1991The Power of Images: Studies in the History and Theory of Response454 cited
  • 2005The Sacred Gaze449 cited
  • 1986The colonial harem304 cited
  • 1989When Old Technologies Were New295 cited
  • 2005The sacred gaze: religious visual culture in theory and practice286 cited

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  • 2009Objects on the Edge: Swahili Coast Logics of Display20 cited
  • 20213DZiyarat: Lenticularity and technologies of the moving image in material and visual piety9 cited