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Mirror and mask: Colonial motifs in the novels of Jean Rhys
4 references·0 citing·12 second hop
Mirror and mask: Colonial motifs in the novels of Jean Rhys (1978)Mirror and mask: Colonial motifs in the n…Palace of the Peacock (1960)Palace of the PeacockGood Morning, Midnight (1939)Good Morning, MidnightVoyage in the Dark (1934)Voyage in the DarkAfter Leaving Mr. Mackenzie (1931)After Leaving Mr. MackenzieThe Art of Scandal (2009)A History of 1930s British Literature (2019)Late Modernism and the Spanish Civil War (2019)School Readers in the Empire and the Creation of Postcolonial Taste (2008)Too Much History, or Not Enough (2012)Futurity Foreclosed: Jonestown, Settler Colonialism, and the Ending of Time in Fred D’Aguiar’s Bill of Rights (2018)Self-Writing, Literary Traditions, and Post-Emancipation Identity: The Case of Mary Seacole (2000)Ethics and nostalgia in the contemporary novel (2006)Modernist Ashes, Postcolonial Phoenix: Jean Rhys and the Evolution of the English Novel in the Twentieth Century (2006)Literature and the taste of knowledge (2006)Modernism, Feminism, and Jewishness (2007)Getting the Story Across: Jean Rhys’s Paranoid Narrative (2016)
this work references cited by second hop

References

  • 1931After Leaving Mr. Mackenzie133 cited
  • 1934Voyage in the Dark74 cited
  • 1960Palace of the Peacock49 cited
  • 1939Good Morning, Midnight48 cited

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