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Old master paintings: a study of the varnish problem
2 references·16 citing·46 second hopsampled
Old master paintings: a study of the varnish problem (1989)Old master paintings: a study of the varn…Photochemical and Thermal Degradation of Films of Dammar Resin (1988)Photochemical and Thermal Deg…The Influence of Varnishes on the Appearance of Paintings (1987)The Influence of Varnishes on…Spectroscopic assessment of the UV laser removal of varnishes from painted surfaces (2015)Spectroscopic assessment of t…Photo-oxidative kinetics of solvent and oil-based terpenoid varnishes (2015)Photo-oxidative kinetics of s…Micro infrared spectroscopy discrimination capability of compounds in complex matrices of thin layers in real sample coatings from artworks (2014)Micro infrared spectroscopy d…Degradation Process of Lead Chromate in Paintings by Vincent van Gogh Studied by Means of Spectromicroscopic Methods. Part 5. Effects of Nonoriginal Surface Coatings into the Nature and Distribution of Chromium and Sulfur Species in Chrome Yellow Paints (2014)Degradation Process of Lead C…Microanalytical method for studying paintings by use of fluorescence spectroscopy combined with principal component analysis (2013)Microanalytical method for st…An upgraded automatic piezoelectric quartz crystal dosimeter for environmental monitoring in indoor cultural heritage conservation areas (2013)An upgraded automatic piezoel…Analysis of dammar resin with MALDI‐FT‐ICR‐MS and APCI‐FT‐ICR‐MS (2012)Analysis of dammar resin with…Study of ageing of ketone resins used as picture varnishes by pyrolysis–silylation–gas chromatography–mass spectrometry (2008)Study of ageing of ketone res…Study of ageing of ketone resins used as picture varnishes by FTIR spectroscopy, UV–Vis spectrophotometry, atomic force microscopy and scanning electron microscopy X-ray microanalysis (2008)Study of ageing of ketone res…Spectroscopic Investigations on the Depth-Dependent Degradation Gradients of Aged Triterpenoid Varnishes (2007)Spectroscopic Investigations …Optical Characterization of Varnish Films by Spectroscopic Ellipsometry for Application in Artwork Conservation (2005)Optical Characterization of V…Uncovering of scalar oxidation within naturally aged varnish layers (2003)Uncovering of scalar oxidatio…Exploring the Optical Properties of Picture Varnishes Using Imaging Techniques (2003)Exploring the Optical Propert…A Mass Spectrometry and Electron Paramagnetic Resonance Study of Photochemical and Thermal Aging of Triterpenoid Varnishes (2001)A Mass Spectrometry and Elect…Surface morphology and composition of some “lustro” decorated fragments of ancient ceramics from Deruta (Central Italy) (2000)Surface morphology and compos…Pyrolysis gas chromatography-mass spectrometry of natural resins used for artistic objects (1995)Pyrolysis gas chromatography-…The Organic Chemistry of Museum Objects (1988)Organic Mass Spectrometry in Art and Archaeology (2009)Oleanolic and ursolic acid in dammar and mastic resin: isomer discrimination by using ToF‐SIMS and multivariate statistics (2016)Characterization of proteins in cultural heritage using MALDI–TOF and LC–MS/MS mass spectrometric techniques (2018)Instrumental techniques in the analysis of natural red textile dyes (2019)Artists' Pigments: A Handbook of Their History and Characteristics, Volume 2 (1995)Optimal Sample Preparation for the Analysis of Micrometric Heterogeneous Samples (2015)Two-step analytical procedure for the characterization and quantification of metal soaps and resinates in paint samples (2018)“Argento Deaurato” or “Argento Biancheggiato”? A Rare and Interesting Case of Silver Background in Italian Painting of the XIII Century (2020)Comparative chromatographic and mass-spectrometric studies of triterpenoid varnishes: fresh material and aged samples from paintings (1998)Direct temperature mass spectrometric study on the depth-dependent compositional gradients of aged triterpenoid varnishes (2008)Micro transflection on a metallic stick: an innovative approach of reflection infrared spectroscopy for minimally invasive investigation of painting varnishes (2017)An analytical evaluation of Er:YAG laser cleaning tests on a nineteenth century varnished painting (2020)Accelerated Aging, Photochemical and Thermal Aspects (1996)A Graphite-Assisted Laser Desorption/Ionization Study of Light-Induced Aging in Triterpene Dammar and Mastic Varnishes (1998)Study of the influencing effect of pigments on the photoageing of terpenoid resins used as pictorial media (2006)Assessment of the ageing of triterpenoid paint varnishes using fluorescence, Raman and FTIR spectroscopy (2009)Organic Chemistry of Museum Objects (2012)Application of Science in Examination of Works of Art (1959)NATURAL RESINS OF ART AND ARCHAEOLOGY THEIR SOURCES, CHEMISTRY, AND IDENTIFICATION (1977)The museum environment (1978)Excimer laser restoration of painted artworks: procedures, mechanisms and effects (1998)Aging and yellowing of triterpenoid resin varnishes – Influence of aging conditions and resin composition (2009)Effect of photodegradation on the identification of natural varnishes by FT-IR spectroscopy (2013)The materials and techniques of medieval painting (1956)NEW SYNTHETIC RESINS FOR PICTURE VARNISHES (1990)Painting Materials: A Short Encyclopedia (2011)Diffusion of water from a range of conservation treatment gels into paint films studied by unilateral NMR (2015)On the influence of relative humidity on the oxidation and hydrolysis of fresh and aged oil paints (2019)Analysis of Aged Paint Binders by FTIR Spectroscopy (1990)Infrared Spectroscopy in Conservation Science (2000)Surface and Interface Treatments on Wooden Artefacts: Potentialities and Limits of a Non-Invasive Multi-Technique Study (2020)FT-NIR Spectroscopy for the Non-Invasive Study of Binders and Multi-Layered Structures in Ancient Paintings: Artworks of the Lombard Renaissance as Case Studies (2022)Materials for Conservation; Organic Consolidants, Adhesives and Coatings (1988)Analysis with micro-Raman spectroscopy of natural organic binding media and varnishes used in art (2000)Automated characterization of varnishes photo-degradation using portable T-controlled Raman spectroscopy (2016)Temperature sensing during Raman spectroscopy of lead white films in different purity grades and boundary conditions (2020)Nonlinear optical microscopy for artworks physics (2021)Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)Pigment Compendium: A Dictionary of Historical Pigments (2007)Reflection infrared spectroscopy for the non-invasive in situ study of artists’ pigments (2011)Synchrotron-based X-ray spectromicroscopy and electron paramagnetic resonance spectroscopy to investigate the redox properties of lead chromate pigments under the effect of visible light (2015)“Paintings Fade Like Flowers”: Pigment Analysis and Digital Reconstruction of a Faded Pink Lake Pigment in Vincent van Gogh’s Undergrowth with Two Figures (2017)Damages Induced by Synchrotron Radiation-Based X-ray Microanalysis in Chrome Yellow Paints and Related Cr-Compounds: Assessment, Quantification, and Mitigation Strategies (2020)Analysis of proteinaceous binders by in-situ pyrolysis and silylation (2003)Characterisation and discrimination of various types of lac resin using gas chromatography mass spectrometry techniques with quaternary ammonium reagents (2014)
this work references cited by second hop· second hop is a sample of the most-cited connections

References

  • 1988Photochemical and Thermal Degradation of Films of Dammar Resin122 cited
  • 1987The Influence of Varnishes on the Appearance of Paintings120 cited

Cited by

  • 2001A Mass Spectrometry and Electron Paramagnetic Resonance Study of Photochemical and Thermal Aging of Triterpenoid Varnishes54 cited
  • 2015Photo-oxidative kinetics of solvent and oil-based terpenoid varnishes49 cited
  • 1995Pyrolysis gas chromatography-mass spectrometry of natural resins used for artistic objects46 cited
  • 2014Degradation Process of Lead Chromate in Paintings by Vincent van Gogh Studied by Means of Spectromicroscopic Methods. Part 5. Effects of Nonoriginal Surface Coatings into the Nature and Distribution of Chromium and Sulfur Species in Chrome Yellow Paints44 cited
  • 2015Spectroscopic assessment of the UV laser removal of varnishes from painted surfaces34 cited
  • 2012Analysis of dammar resin with MALDI‐FT‐ICR‐MS and APCI‐FT‐ICR‐MS32 cited
  • 2014Micro infrared spectroscopy discrimination capability of compounds in complex matrices of thin layers in real sample coatings from artworks28 cited
  • 2007Spectroscopic Investigations on the Depth-Dependent Degradation Gradients of Aged Triterpenoid Varnishes25 cited
  • 2008Study of ageing of ketone resins used as picture varnishes by FTIR spectroscopy, UV–Vis spectrophotometry, atomic force microscopy and scanning electron microscopy X-ray microanalysis22 cited
  • 2003Exploring the Optical Properties of Picture Varnishes Using Imaging Techniques22 cited

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  • 2003Uncovering of scalar oxidation within naturally aged varnish layers21 cited
  • 2008Study of ageing of ketone resins used as picture varnishes by pyrolysis–silylation–gas chromatography–mass spectrometry18 cited
  • 2000Surface morphology and composition of some “lustro” decorated fragments of ancient ceramics from Deruta (Central Italy)17 cited
  • 2013Microanalytical method for studying paintings by use of fluorescence spectroscopy combined with principal component analysis14 cited
  • 2005Optical Characterization of Varnish Films by Spectroscopic Ellipsometry for Application in Artwork Conservation13 cited
  • 2013An upgraded automatic piezoelectric quartz crystal dosimeter for environmental monitoring in indoor cultural heritage conservation areas11 cited