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“Let’s Have At It!”: Conversations with EDM Producers Kate Simko and DJ Denise
7 references·1 citing·28 second hop
“Let’s Have At It!”: Conversations with EDM Producers Kate Simko and DJ Denise (2010)“Let’s Have At It!”: Conversations with E…Music Genres and Corporate Cultures (2010)Music Genres and Corporate Cu…Speaking of Sound (2004)Speaking of SoundSound of Africa! Making Music Zulu in a South African Studio (2003)Sound of Africa! Making Music…“You Better Work!” Underground Dance Music in New York City, by Kai Fikentscher. 2000. Hanover, NH: Wesleyan University Press, xv + 159 pp., illustrations, notes, bibliography, discography, index. $50.00 cloth; $19.95 paper. (2001)“You Better Work!” Undergroun…Music genres and corporate cultures (2000)Music genres and corporate cu…"You Better Work!" (2000)"You Better Work!"Generation Ecstasy: Into the World of Techno and Rave Culture (1998)Generation Ecstasy: Into the …Competitive Remix Practice and Networks of Support in Electronic Dance Music Economies (2004)Competitive Remix Practice an…Club cultures: music, media and subcultural capital (1996)Last Night a DJ Saved My Life: The History of the Disc Jockey (1999)Discographies: dance music, culture and the politics of sound (2000)Hip-Hop Drumming: The Rhyme May Define, but the Groove Makes You Move (2002)Electronic Dance Music Culture and Religion: An Overview1 (2006)Dilemmas of the Nightlife Fix (2011)The rise of the creative class: and how it's transforming work, leisure, community and everyday life (2002)The Rise of the Creative Class: And How It's Transforming Work, Leisure, Community and Everyday Life (2003)Struggling with the Creative Class (2005)Personal Knowledge: Towards a Post-Critical Philosophy (1959)The Constitution of Society. Outline of the Theory of Structuration (1984)Plans and Situated Actions: The Problem of Human-Machine Communication (1990)The Software Slump?: Digital Music, the Democratisation of Technology, and the Decline of the Recording Studio Sector within the Musical Economy (2009)A corpus analysis of timbre semantics in orchestration treatises (2018)Sensory Linguistics (2019)THE WORK OF CULTURAL INTERMEDIARIES AND THE ENDURING DISTANCE BETWEEN PRODUCTION AND CONSUMPTION (2002)The Production of Culture Perspective (2004)Managing visibility on YouTube through algorithmic gossip (2019)Wired for sound: engineering and technologies in sonic cultures (2005)Dub: soundscapes and shattered songs in Jamaican reggae (2007)Music and globalization: critical encounters (2012)Beyond Representation and Signification: Toward a Sonic Materialism (2011)The context and genesis of musical tastes: Omnivorousness debunked, Bourdieu buttressed (2011)Looking Back, Looking Forward: Arts-Based Careers and Creative Work (2013)Playing to the Crowd (2019)Between Commerciality and Authenticity: The Imaginary of Social Media Influencers in the Platform Economy (2021)The Sound of Crossover: Micro-rhythm and Sonic Pleasure in Michael Jackson's “Don't Stop 'Til You Get Enough” (2012)Feeling the vibe: sound, vibration, and affective attunement in electronic dance music scenes (2020)
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References

  • 2010Music Genres and Corporate Cultures582 cited
  • 2000Music genres and corporate cultures381 cited
  • 1998Generation Ecstasy: Into the World of Techno and Rave Culture336 cited
  • 2003Sound of Africa! Making Music Zulu in a South African Studio186 cited
  • 2000"You Better Work!"173 cited
  • 2004Speaking of Sound152 cited
  • 2001“You Better Work!” Underground Dance Music in New York City, by Kai Fikentscher. 2000. Hanover, NH: Wesleyan University Press, xv + 159 pp., illustrations, notes, bibliography, discography, index. $50.00 cloth; $19.95 paper.67 cited

Cited by

  • 2004Competitive Remix Practice and Networks of Support in Electronic Dance Music Economies3 cited

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