Cited by

• 2016Identifying Pigment Mixtures in Art Using SERS: A Treatment Flowchart Approach49 cited
• 2014Combined SERS and Raman analysis for the identification of red pigments in cross-sections from historic oil paintings43 cited
• 2014Surface‐enhanced Raman scattering for the analysis of red lake pigments in painting layers mounted in cross sections37 cited
• 2021Electrochemical surface-enhanced Raman spectroscopy (EC-SERS): a tool for the identification of polyphenolic components in natural lake pigments30 cited
• 2014Surface‐enhanced Raman spectroscopy (SERS) analysis of organic colourants utilising a new UV‐photoreduced substrate25 cited
• 2017Optimization of sample treatment for the identification of anthraquinone dyes by surface-enhanced Raman spectroscopy20 cited
• 2016Surface-Enhanced Raman Spectroscopy: Using Nanoparticles to Detect Trace Amounts of Colorants in Works of Art18 cited
• 2015Fourier filtering ultraviolet laser ablation SERS for the analysis of yellow lakes16 cited
• 2022A dual-mode strategy combining SERS with MALDI FTICR MS based on core-shell silver nanoparticles for dye identification and semi-quantification in unearthed silks from Tang Dynasty15 cited
• 2019Raman and surface‐enhanced Raman spectroscopy for the analysis of Mexican yellow dyestuff14 cited
• 2018Multi-technique characterization of madder lakes: A comparison between non- and micro-destructive methods14 cited
• 2021Noninvasive identification of turmeric and saffron dyes in proteinaceous textile fibres using Raman spectroscopy and multivariate analysis12 cited
• 2019Analyzing ancient Chinese handmade Lajian paper exhibiting an orange-red color12 cited
• 2024Uncovering Art’s Vanishing Hues with Surface-Enhanced Raman Scattering: Drawing Inspiration from the Past for the Future11 cited