SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
The Ambiguous Aura of Hollywood Stars in Avant-Garde Found-Footage Films
5 references·8 citing·29 second hop
The Ambiguous Aura of Hollywood Stars in Avant-Garde Found-Footage Films (2002)The Ambiguous Aura of Hollywood Stars in …The Work of Art in the Age of Mechanical Reproduction (2007)The Work of Art in the Age of…The exploding eye: a re-visionary history of 1960s American experimental cinema (1998)The exploding eye: a re-visio…Mark Rappaport's Notes on "Rock Hudson's Home Movies" (1996)Mark Rappaport's Notes on "Ro…Hard to Imagine: Gay Male Eroticism in Photography and Film from Their Beginnings to Stonewall (1996)Hard to Imagine: Gay Male Ero…Allegories of Cinema: American Film in the Sixties. (1990)Allegories of Cinema: America…Listening to the ‘Multi-Voiced’ Feminist Film: Aspects of Voice-over, Female Stardom, and Audio-Visual Pleasure in Stephanie Beroes’ The Dream Screen (1986) (2018)Listening to the ‘Multi-Voice…The cinephilic citation in the essay films by José Luis Guerin and Isaki Lacuesta (2014)The cinephilic citation in th…Cowboy contradictions: Westerns in the postcolonial Pacific (2013)Cowboy contradictions: Wester…Wenyiand the branding of early Chinese film (2012)Wenyiand the branding of earl…Recycled Images: Rose Hobart, East of Borneo, and The Perils of Pauline (2011)Recycled Images: Rose Hobart,…Orphans No More: Definitions, Disciplines, and Institutions (2009)Orphans No More: Definitions,…Cultural Borrowings:: Appropriation, Reworking, Transformation (2009)Cultural Borrowings:: Appropr…Special Effects in Martin Arnold's and Peter Tscherkassky's Cinema of Mind (2006)Special Effects in Martin Arn…Marxism and Literature (1977)Woman and Chinese modernity: the politics of reading between West and East (1991)3.2. MARXISM AND LITERATURE (2006)The Silver Star group: a first attempt at theorizingwenyiin the 1920s (2015)Wenyi, Wenqingand pure love: The European imaginary in Xu Jinglei's films (2017)Rethinking Popular Culture: Contemporary Perspectives in Cultural Studies (1991)Films that Work : Industrial Film and the Productivity of Media (2009)FROM THE GERMAN IDEOLOGY (2013)Gender Trouble: Feminism and the Subversion of Identity (1991)Postmodernism, or, The cultural logic of late capitalism (1991)5. The Practice of Everyday Life (2000)Bastards and Pirates, Remixes and Multitudes: The Politics of Mash-Up Transgression and the Polyprocesses of Cultural Jazz (2015)Blurred boundaries: remediation of found footage in experimental autobiographical documentary filmmaking (2017)Twitter and video activism as tools for counter-surveillance: the case of social protests in Spain (2017)The Acoustic Mirror (1988)Shot/Countershot (1989)BÉLA BALÁZS: EARLY FILM THEORY (2010)Disjuncture and Difference in the Global Cultural Economy (1990)Can Consumers Escape the Market? Emancipatory Illuminations from Burning Man (2002)Extended Self in a Digital World: Table 1. (2013)Gay-for-Pay: Straight Men and the Making of Gay Pornography (2003)Porn and sex education, porn as sex education (2014)The Geography of Research on LGBTQ Life: Why sociologists should study the South, rural queers, and ordinary cities (2018)Death Every Afternoon (2003)Documentary Screens: Non-Fiction Film and Television (2004)Deleuze, Altered States and Film (2007)In the Ruins of the Image (2007)A short history of film (2008)A History of Swedish Experimental Film Culture: From Early Animation to Video Art (2010)
this work references cited by second hop

References

  • 2007The Work of Art in the Age of Mechanical Reproduction3,820 cited
  • 1996Hard to Imagine: Gay Male Eroticism in Photography and Film from Their Beginnings to Stonewall377 cited
  • 1990Allegories of Cinema: American Film in the Sixties.133 cited
  • 1996Mark Rappaport's Notes on "Rock Hudson's Home Movies"46 cited
  • 1998The exploding eye: a re-visionary history of 1960s American experimental cinema36 cited

Cited by

  • 2009Cultural Borrowings:: Appropriation, Reworking, Transformation31 cited
  • 2011Recycled Images: Rose Hobart, East of Borneo, and The Perils of Pauline17 cited
  • 2012Wenyiand the branding of early Chinese film13 cited
  • 2009Orphans No More: Definitions, Disciplines, and Institutions6 cited
  • 2018Listening to the ‘Multi-Voiced’ Feminist Film: Aspects of Voice-over, Female Stardom, and Audio-Visual Pleasure in Stephanie Beroes’ The Dream Screen (1986)5 cited
  • 2006Special Effects in Martin Arnold's and Peter Tscherkassky's Cinema of Mind5 cited
  • 2014The cinephilic citation in the essay films by José Luis Guerin and Isaki Lacuesta5 cited
  • 2013Cowboy contradictions: Westerns in the postcolonial Pacific5 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work