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Backstage at the Revolution: How the Royal Paris Opera Survived the End of the Old Regime
6 references·5 citing·22 second hop
Backstage at the Revolution: How the Royal Paris Opera Survived the End of the Old Regime (2010)Backstage at the Revolution: How the Roya…Opera and Society in Italy and France from Monteverdi to Bourdieu (2007)Opera and Society in Italy an…Everyday Arias: An Operatic Ethnography (2006)Everyday Arias: An Operatic E…Fashion and Its Social Agendas (2000)Fashion and Its Social AgendasCreating Country Music (1997)Creating Country MusicEdging women out: Victorian novelists, publishers, and social change (1990)Edging women out: Victorian n…Making News: A Study in the Construction of Reality. (1981)Making News: A Study in the C…Stop the Press? The Changing Media of Music Criticism (2019)Stop the Press? The Changing …Music Criticism in Norway (2019)Music Criticism in NorwayMusic Criticism in Italy in the Twentieth Century (2019)Music Criticism in Italy in t…Critiquing the Canon: The Role of Criticism in Canon Formation (2019)Critiquing the Canon: The Rol…Constructing a Musical Nation: German-Language Criticism in the Nineteenth Century (2019)Constructing a Musical Nation…Distinction. A Social Critique of the Judgement of Taste (1985)The structural transformation of the public sphere: an inquiry into a category of bourgeois society (1990)Oxford Dictionary of National Biography (2004)Imagined Communities: Reflections on the Origin and Spread of Nationalism (1984)Bourdieu and organizational analysis (2008)Digital Diva: Opera on Video (2010)The Cambridge Companion to Opera Studies (2012)Culture and the Arts: From Art Worlds to Arts-in-Action (2008)The musical body : how gender and class are reproduced among young people playing classical music in England (2015)Class, Control, and Classical Music (2019)Patent Inventions - Intellectual Property and the Victorian Novel (2004)The Production of Culture Perspective (2004)Insiders, Outsiders, and the Struggle for Consecration in Cultural Fields (2014)Twenty-First Century Dis-Ease? Habitual Reflexivity Or the Reflexive Habitus (2003)Clothing and Embodiment: Men Managing Body Image and Appearance. (2004)SLOW + FASHION—an Oxymoron—or a Promise for the Future …? (2008)Consumer Perceptions of Iconicity and Indexicality and Their Influence on Assessments of Authentic Market Offerings (2004)Crafting Brand Authenticity: The Case of Luxury Wines* (2005)Social Entrepreneurship: Why We Don't Need a New Theory and How We Move Forward From Here (2010)Framing responsibility for political issues: The case of poverty (1990)An Insider's Critique of the Social Movement Framing Perspective* (1997)Community, Communication, and Participation: The Role of Mass Media and Interpersonal Discussion in Local Political Participation (1999)
this work references cited by second hop

References

  • 1981Making News: A Study in the Construction of Reality.2,354 cited
  • 1997Creating Country Music702 cited
  • 2000Fashion and Its Social Agendas491 cited
  • 1990Edging women out: Victorian novelists, publishers, and social change174 cited
  • 2007Opera and Society in Italy and France from Monteverdi to Bourdieu121 cited
  • 2006Everyday Arias: An Operatic Ethnography72 cited

Cited by

  • 2019Stop the Press? The Changing Media of Music Criticism5 cited
  • 2019Critiquing the Canon: The Role of Criticism in Canon Formation4 cited
  • 2019Music Criticism in Norway3 cited
  • 2019Constructing a Musical Nation: German-Language Criticism in the Nineteenth Century3 cited
  • 2019Music Criticism in Italy in the Twentieth Century2 cited

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