SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Drawing Apprentice
0 references·4 citing·14 second hop
Drawing Apprentice (2015)Drawing ApprenticeUnderground AI? Critical Approaches to Generative Cinema through Amateur Filmmaking (2025)Underground AI? Critical Appr…Exploring Aesthetic Qualities of Deep Generative Models through Technological (Art) Mediation (2024)Exploring Aesthetic Qualities…Twenty Years of Creativity Research in Human-Computer Interaction (2018)Twenty Years of Creativity Re…EMS Painter (2018)EMS PainterBehavioral Study of obedience. (1963)WiiArts (2008)Preferred Reporting Items for Systematic Reviews and Meta-Analyses: The PRISMA Statement (2009)Preferred reporting items for systematic reviews and meta-analyses: the PRISMA Statement. (2009)Computing Inter-Rater Reliability for Observational Data: An Overview and Tutorial (2012)Supporting Creativity in Aged Care: Lessons from Group Singing, Music Therapy, and Immersive Virtual Reality Programs (2022)Creativity Supportive Ecosystems: A Framework for Understanding Function and Disruption in Online Art Worlds (2025)Reimagining Misuse as Creative Practice: Impressions and Implications of Usage Norms on Digital Artists (2025)The Debated Mind : Evolutionary Psychology Versus Ethnography (2001)Excavating AI: the politics of images in machine learning training sets (2021)Art and the science of generative AI (2023)Visionary Film: The American Avant-Garde, 1943-2000 (1974)Film Language: A Semiotics of the Cinema (1975)Expressive processing: digital fictions, computer games, and software studies (2010)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2018Twenty Years of Creativity Research in Human-Computer Interaction111 cited
  • 2018EMS Painter19 cited
  • 2025Underground AI? Critical Approaches to Generative Cinema through Amateur Filmmaking9 cited
  • 2024Exploring Aesthetic Qualities of Deep Generative Models through Technological (Art) Mediation6 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work