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Displacing the Haptic: Performance Art, the Photographic Document, and the 1970s
1 references·3 citing·14 second hop
Displacing the Haptic: Performance Art, the Photographic Document, and the 1970s (1997)Displacing the Haptic: Performance Art, t…Unmarked (2003)UnmarkedDona-Arbre [Mujer-Árbol] de Fina Miralles: Recolectando conocimiento corporal. (2019)Dona-Arbre [Mujer-Árbol] de F…(W)holes – Volume, horizon, surface – Three intimate geologies (2019)(W)holes – Volume, horizon, s…Depth‐charge in the archive: the documentation of performance revisited in the digital age (2010)Depth‐charge in the archive: …A Thousand Plateaus: Capitalism and Schizophrenia (1989)Unmarked: The Politics of Performance (1994)Performers creators and audience: co-participants in an interconnected model of performance and creative process (2014)THE QUESTION CONCERNING TECHNOLOGY (2018)Entertainment as an archival source for historical accounting research (2020)Situated Knowledges: The Science Question in Feminism and the Privilege of Partial Perspective (1988)Situated Knowledges: The Science Question in Feminism and the Privilege of Partial Perspective (1988)Holes and orifices; understanding the communicative dimension of Antony Gormley’s moulded bodies (2019)Gender and Agency: Reconfiguring the Subject in Feminist and Social Theory (2000)Agency and Embodiment (2009)Agency and Embodiment: Performing Gestures/Producing Culture (2009)Matter out of place: visibility and sexualities in leisure spaces (1999)Reading Erasures and Making the Familiar Strange: Defamiliarizing Methods for Research in Formerly Colonized and Historically Oppressed Communities (2003)The Art of Doing (Geographies of) Music (2007)
this work references cited by second hop

References

  • 2003Unmarked803 cited

Cited by

  • 2019(W)holes – Volume, horizon, surface – Three intimate geologies18 cited
  • 2010Depth‐charge in the archive: the documentation of performance revisited in the digital age12 cited
  • 2019Dona-Arbre [Mujer-Árbol] de Fina Miralles: Recolectando conocimiento corporal.5 cited

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