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Between the Virtual and the Actual: Robert Barker's Panorama of London and the Multiplication of the Real in late eighteenth-century London1
12 references·2 citing·31 second hop
Between the Virtual and the Actual: Robert Barker's Panorama of London and the Multiplication of the Real in late eighteenth-century London1 (2007)Between the Virtual and the Actual: Rober…Deceptions and illusions: five centuries of trompe l'oeil painting (2003)Deceptions and illusions: fiv…Echographies of Television: Filmed Interviews (2002)Echographies of Television: F…Seeing Tomorrow: Rewriting the Rules of Risk (2000)Seeing Tomorrow: Rewriting th…The panorama: history of a mass medium (1998)The panorama: history of a ma…The Panorama, the Cinema and the Emergence of the Spectacular (1996)The Panorama, the Cinema and …The Complete Poetry and Prose of William Blake (1990)The Complete Poetry and Prose…Fictions of reality in the age of Hume and Johnson (1989)Fictions of reality in the ag…Panoramania!: The art and entertainment of the "all-embracing" view (1988)Panoramania!: The art and ent…The Age of the World Picture (1977)The Age of the World PictureKarl Marx and Frederick Engels : selected works (1970)Karl Marx and Frederick Engel…The London panoramas of Robert Barker and Thomas Girtin, circa 1800 (1968)The London panoramas of Rober…A Treatise of Human Nature (1739)A Treatise of Human NatureThe Orient at Leicester Square: Virtual Visual Encounters in the First Panoramas (2017)The Orient at Leicester Squar…Creative Spectacle: Hunt, Hazlitt and De Quincey (2010)Creative Spectacle: Hunt, Haz…What is cinema (1967)Techniques of the Observer (1988)A ‘proper point of view’: The panorama and some of its early media iterations (2011)Mobile Screens (2012)Anti-Slavery's Panoramic Perspective (2014)The Society of the Spectacle (2020)The reflective practitioner (2008)Travelling landscape-objects (2009)Mobile screens: the visual regime of navigation (2012)The Theory of Participatory Discrepancies: A Progress Report (1995)The Cambridge History of Literary Criticism (1997)Artful Dodgers (2009)Social Theory of International Politics (1999)Stanford encyclopedia of philosophy (2002)The Grammar of Society (2005)Beyond the Third World: imperial globality, global coloniality and anti-globalisation social movements (2004)Reconceptualizing object authenticity (2006)Cyborg intentionality: Rethinking the phenomenology of human–technology relations (2008)“How Shall I Say it … ?” Relating the Nonrelational (2007)Deconstructive aporias: quasi-transcendental and normative (2011)Accountability as aporia, testimony, and gift (2012)Managing project risks: a case study from the utilities sector (2002)Strategic Risk Management Practice: How to Deal Effectively with Major Corporate Exposures (2011)Practical Portfolio Performance Measurement and Attribution (2023)Johnson, Writing, and Memory (2002)Eighteenth-century women poets (2005)Imagine All the People (2018)Medical lecturing in Georgian London (1995)The Emulation of Heroes (1968)Political economy and archaeology: Perspectives on exchange and production (1996)The influence of supportive leadership and job characteristics on work alienation: A six-country investigation (2007)
this work references cited by second hop

References

  • 1739A Treatise of Human Nature9,842 cited
  • 1977The Age of the World Picture963 cited
  • 1990The Complete Poetry and Prose of William Blake889 cited
  • 1998The panorama: history of a mass medium432 cited
  • 2002Echographies of Television: Filmed Interviews313 cited
  • 1989Fictions of reality in the age of Hume and Johnson135 cited
  • 1970Karl Marx and Frederick Engels : selected works135 cited
  • 1988Panoramania!: The art and entertainment of the "all-embracing" view119 cited
  • 1996The Panorama, the Cinema and the Emergence of the Spectacular79 cited
  • 2000Seeing Tomorrow: Rewriting the Rules of Risk44 cited
  • 2003Deceptions and illusions: five centuries of trompe l'oeil painting25 cited
  • 1968The London panoramas of Robert Barker and Thomas Girtin, circa 180017 cited

Cited by

  • 2010Creative Spectacle: Hunt, Hazlitt and De Quincey2 cited
  • 2017The Orient at Leicester Square: Virtual Visual Encounters in the First Panoramas1 cited

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