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The actor's bodies
9 references·7 citing·35 second hop
The actor's bodies (1997)The actor's bodiesParadoxe sur le Comedien (2009)Paradoxe sur le ComedienPoetics (1995)PoeticsLove and Theft: Blackface Minstrelsy and the American Working Class. (1994)Love and Theft: Blackface Min…Invisible Presences—Performance Intertextuality (1994)Invisible Presences—Performan…African American Theatre (1994)African American TheatreFires in the Mirror: Crown Heights, Brooklyn and Other Identities (1993)Fires in the Mirror: Crown He…Anna Deavere Smith: The Word Becomes You. An Interview (1993)Anna Deavere Smith: The Word …Celebrity and the Semiotics of Acting (1990)Celebrity and the Semiotics o…Writing and Difference (1980)Writing and DifferenceThe Language of Stories: A Cognitive Approach (2011)The Language of Stories: A Co…Singing “I Will Survive”: Performance as Evolving Relationship (2010)Singing “I Will Survive”: Per…Soundpainting as a system for the collaborative creation of music in performance (2007)Soundpainting as a system for…Remembering Praxis: Performance in the Digital Age (2005)Remembering Praxis: Performan…Borg Babes, Drones, and The Collective: Reading Gender and the Body inStar Trek (2004)Borg Babes, Drones, and The C…Bodily Poeticizing in Theatrical Improvisation: A Typology of Performative Knowledge (2004)Bodily Poeticizing in Theatri…The History, Geography, and Heterogeneity of American Dramatic Realism (1999)The History, Geography, and H…Image-Music-Text (1977)‘What ish my nation?’: Shakespeare and national identities (1991)Theatre, Society and the Nation: Staging American Identities (2004)The Four Fundamental Concepts of Psycho-Analysis (2018)Semiotics of Art: Prague School Contributions (1977)A Sociosemiotic Theory of Theatre (1990)Acting: The Quintessence of Theatricality (2002)Recycled culture: the significance of intertextuality in twenty-first century musical theatre (2017)Language, the Singer and the Song (2019)The Body in the Mind (1987)Constructions: A Construction Grammar Approach to Argument Structure (1995)Metaphors We Live By (2003)Viewpoint and the Fabric of Meaning (2016)Image-schematic scaffolding in textual and visual artefacts (2017)Metaphor Wars: Conceptual Metaphors in Human Life (2017)Poetics and Performances as Critical Perspectives on Language and Social Life (1990)Race and the Education of Desire (1995)Grounded Theory in Management Research (2003)Actress to Activist: Mlle Clairon in the Public Sphere of the 1760s (1994)The Felt Truth of Mimetic Experience: Motions of the Soul and the Kinetics of Passion in the Eighteenth-Century Theatre (2012)The French Enlightenment and the Emergence of Modern Cynicism (2012)The Discipline and Practice of Qualitative Research (2005)THE OBSERVATION OF PARTICIPATION AND THE EMERGENCE OF PUBLIC ETHNOGRAPHY (2007)Acts of activism: human rights as radical performance (2011)Performing Race: Anna Deavere Smith's Fires in the Mirror (1996)From Page to Stage (2008)Representing Whiteness in the Black Imagination (1997)The Whiteness of Nerds: Superstandard English and Racial Markedness (2001)Hybrid Masculinities: New Directions in the Sociology of Men and Masculinities (2014)The Cambridge History of African American Literature (2011)Dictionary of American Regional English (2020)The Oxford English Dictionary (2020)The Beginnings of Medieval Romance (2002)Unnatural Narratology: The Systematic Study of Anti‐Mimeticism (2013)The problems of ‘competence’ and alternatives from the Scandinavian perspective ofBildung (2015)
this work references cited by second hop

References

  • 1980Writing and Difference7,689 cited
  • 1994Love and Theft: Blackface Minstrelsy and the American Working Class.1,219 cited
  • 1994African American Theatre284 cited
  • 1995Poetics165 cited
  • 1993Fires in the Mirror: Crown Heights, Brooklyn and Other Identities122 cited
  • 1990Celebrity and the Semiotics of Acting93 cited
  • 1994Invisible Presences—Performance Intertextuality63 cited
  • 2009Paradoxe sur le Comedien59 cited
  • 1993Anna Deavere Smith: The Word Becomes You. An Interview54 cited

Cited by

  • 2011The Language of Stories: A Cognitive Approach71 cited
  • 2004Bodily Poeticizing in Theatrical Improvisation: A Typology of Performative Knowledge35 cited
  • 2004Borg Babes, Drones, and The Collective: Reading Gender and the Body inStar Trek26 cited
  • 2005Remembering Praxis: Performance in the Digital Age19 cited
  • 2007Soundpainting as a system for the collaborative creation of music in performance7 cited
  • 2010Singing “I Will Survive”: Performance as Evolving Relationship6 cited
  • 1999The History, Geography, and Heterogeneity of American Dramatic Realism

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4 cited