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The MP3 open standard and the music industry's response to Internet piracy
3 references·4 citing·30 second hop
The MP3 open standard and the music industry's response to Internet piracy (2003)The MP3 open standard and the music indus…The Internet is changing the music industry (2001)The Internet is changing the …Toward a “Critical Mass” Theory of Interactive Media (1987)Toward a “Critical Mass” Theo…Information systems for sustainable competitive advantage (1986)Information systems for susta…Negotiating platformisation: MusicTech, intellectual property rights and third wave platform reintermediation in the music industry (2022)Negotiating platformisation: …O Mercado de Música Digital: um estudo sobre o comportamento do consumidor brasileiro (2014)O Mercado de Música Digital: …Initial findings of a gap analysis of the digital piracy literature: six undiscovered countries (2012)Initial findings of a gap ana…Independent Producers: A Guide to 21st Century Independent Music Promotion and Distribution (2011)Independent Producers: A Guid…Measuring Consumers' Willingness to Pay at the Point of Purchase (2002)Digital music and online sharing (2003)Digital piracy of MP3s: consumer and ethical predispositions (2008)Case Study: A Strategic Research Methodology (2008)Does Chatter Matter? The Impact of User-Generated Content on Music Sales (2009)The Wealth of Networks (2017)The emerging role of electronic marketplaces on the Internet (1998)Revisiting agency and transaction costs theory predictions on vertical financial ownership and contracting: electronic integration as an organizational form choice (2006)The changing digital content landscape (2006)Platform pop: disentangling Spotify’s intermediary role in the music industry (2020)Transaction-Cost Economics: The Governance of Contractual Relations (1979)A Model of Users’ Perspective on Change: The Case of Information Systems Technology Implementation1 (1991)IT competency and firm performance: is organizational learning a missing link? (2003)The long-term effect of digital innovation on bank performance: An empirical study of SWIFT adoption in financial services (2017)Information Rules: A Strategic Guide to the Network Economy (2000)Why Do Consumers Buy Counterfeit Luxury Brands? (2009)Privacy in the Digital Age: a Review of Information Privacy Research in Information Systems1 (2011)ETHICS, NEUTRALIZATION, AND DIGITAL PIRACY (2017)A global consumer decision model of intellectual property theft (2019)The Strength of Weak Ties (1973)Perceived Usefulness, Ease of Use, and Usage of Information Technology: A Replication (1992)Marketing in Hypermedia Computer-Mediated Environments: Conceptual Foundations (1996)Why Don’t Men Ever Stop to Ask for Directions? Gender, Social Influence, and Their Role in Technology Acceptance and Usage Behavior1 (2000)Diffusion of Innovations (2012)Diffusion of Innovations 1 (2019)Progress in Human Geography (2001)Platform capitalism: The intermediation and capitalisation of digital economic circulation (2017)Intellectual Monopoly in Global Value Chains (2018)Tech start-up capitalisation in an oligopolistic copyright industry: the case of the contemporary music industry (2023)Artificial intelligence in the music streaming value chain: Exploring artists' and users’ perceptions on content creation and algorithmic consumption (2025)
this work references cited by second hop

References

  • 1987Toward a “Critical Mass” Theory of Interactive Media1,149 cited
  • 1986Information systems for sustainable competitive advantage323 cited
  • 2001The Internet is changing the music industry97 cited

Cited by

  • 2022Negotiating platformisation: MusicTech, intellectual property rights and third wave platform reintermediation in the music industry24 cited
  • 2012Initial findings of a gap analysis of the digital piracy literature: six undiscovered countries10 cited
  • 2014O Mercado de Música Digital: um estudo sobre o comportamento do consumidor brasileiro5 cited
  • 2011Independent Producers: A Guide to 21st Century Independent Music Promotion and Distribution4 cited

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