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Save the last dance — for me?
12 references·0 citing·34 second hop
Save the last dance — for me? (1993)Save the last dance — for me?Traditional Songs of the Maori (1993)Traditional Songs of the Maori7 The Politics of Culture in the Pacific (1990)7 The Politics of Culture in …“Heiva”: Continuity and Change of a Tahitian Celebration (1990)“Heiva”: Continuity and Chang…Creating the Past: Custom and Identity in the Contemporary Pacific (1989)Creating the Past: Custom and…The Study of Ethnomusicology: Twenty-Nine Issues and Concepts (1986)The Study of Ethnomusicology:…The Study of Ethnomusicology: Twenty-Nine Issues and Concepts (1985)The Study of Ethnomusicology:…8. Polynesian Music and Dance (1980)8. Polynesian Music and DanceClassical Persian Music: An Introduction (1976)Classical Persian Music: An I…Staged Authenticity: Arrangements of Social Space in Tourist Settings (1973)Staged Authenticity: Arrangem…Classical Persian Music (1973)Classical Persian MusicFolk Song Style and Culture (1969)Folk Song Style and CultureJournal of the Polynesian Society (1947)Journal of the Polynesian Soc…Defining tradition: variations on the Hawaiian identity (1983)Tradition, Genuine or Spurious (1984)Under Western Eyes: Feminist Scholarship and Colonial Discourses (1984)Making National Cultures In The Global Ecumene (1991)The Politics of Discursive Authority in Research on the “Invention of Tradition” (1996)Rethinking the role of Indigenous knowledges in the academy (2000)The Social System (1951)The Presentation of Self in Everyday Life. (1956)Studies in Ethnomethodology. (1968)A Phenomenology of Tourist Experiences (1979)Authenticity and commoditization in tourism (1988)Rethinking authenticity in tourism experience (1999)The biology and evolution of music: A comparative perspective (2006)The singing Neanderthals: The origins of music, language, mind, and body (2006)Universals in the world’s musics (2011)Instruments of Power: Sundanese "Multi-Laras" Gamelan in New Order Indonesia (2001)The Origin and Well-Formedness of Tonal Pitch Structures (2006)Understanding Iran Through Music: A New Approach (2006)Does synchrony promote generalized prosociality? (2013)Let’s Dance Together: Synchrony, Shared Intentionality and Cooperation (2013)Shared cultural knowledge: Effects of music on young children’s social preferences (2016)Human Social Evolution: Self-Domestication or Self-Control? (2020)The prehistory of the Austronesian-speaking peoples: A view from language (1995)The Pleasures and Perils of Darwinizing Culture (with Phylogenies) (2007)Globalization and Cultural Identity (2011)Working through Psychological Understandings of the Diasporic Condition (1996)The song of the nightingale: Processes of improvisation indastgāh Segāh(Iranian classical music) (1998)Third Millenium Tehran: Music! (2005)Popular Music Studies and Ethnomusicology in Australasia (2013)La danza y el concepto de estilo (2014)Singing and Survival (2019)Representation and Politics: Contesting Histories of the Iroquois (1992)Cultural polyphony and identity formation: negotiating tradition in Attica (1999)Ancestral Vigilance and the Corrective Conscience (2004)
this work references cited by second hop

References

  • 1973Staged Authenticity: Arrangements of Social Space in Tourist Settings3,359 cited
  • 1947Journal of the Polynesian Society1,717 cited
  • 1985The Study of Ethnomusicology: Twenty-Nine Issues and Concepts515 cited
  • 1989Creating the Past: Custom and Identity in the Contemporary Pacific369 cited
  • 1969Folk Song Style and Culture355 cited
  • 1986The Study of Ethnomusicology: Twenty-Nine Issues and Concepts89 cited
  • 19907 The Politics of Culture in the Pacific43 cited
  • 1976Classical Persian Music: An Introduction26 cited
  • 1973Classical Persian Music22 cited
  • 19808. Polynesian Music and Dance18 cited
  • 1990“Heiva”: Continuity and Change of a Tahitian Celebration12 cited
  • 1993Traditional Songs of the Maori6 cited

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