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Love as Persuasion in Monteverdi’s ‘L’incoronazione di Poppea’: New Thoughts on the Authorship Question
16 references·0 citing·28 second hop
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References

  • 1991Gender Trouble: Feminism and the Subversion of Identity29,379 cited
  • 1954The complete works of Aristotle4,133 cited
  • 1959Anatomy of Criticism: Four Essays2,187 cited
  • 1989Body guards : the cultural politics of gender ambiguity899 cited
  • 1992Feminine Endings: Music, Gender, and Sexuality828 cited
  • 1979The Reversible World: Symbolic Inversion in Art and Society283 cited
  • 1984Music and Culture in Italy from the Middle Ages to the Baroque183 cited
  • 1988Rewriting the Renaissance: The Discourses of Sexual Difference in Early Modern Europe143 cited
  • 2002Monteverdi's Musical Theatre108 cited
  • 1995The emperor of men's minds: literature and the Renaissance discourse of rhetoric98 cited
  • 1985Seneca and the Interpretation of "L'Incoronazione di Poppea"86 cited
  • 1993Gendering Modern Music: Thoughts on the Monteverdi-Artusi Controversy60 cited
  • 1994Monteverdi's Tonal Language59 cited
  • 2004Emblems of EloquenceOpera and Women's Voices in Seventeenth-Century Venice55 cited
  • 1999Tacitus Incognito: Opera as History in "L'incoronazione di Poppea"40 cited
  • 1978

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Barbara Strozzi, "virtuosissima cantatrice": The Composer's Voice
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