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Os festivais GLBT de cinema e as mudanças estético-políticas na constituição da subjetividade
11 references·0 citing·29 second hop
Os festivais GLBT de cinema e as mudanças estético-políticas na constituição da subjetividade (2007)Os festivais GLBT de cinema e as mudanças…Queer London: Perils and Pleasures in the Sexual Metropolis, 1918-1957 (2006)Queer London: Perils and Plea…Queer London: Perils and Pleasures in the Sexual Metropolis (2006)Queer London: Perils and Plea…4.3 ‘Bodies that Matter’ (1999)4.3 ‘Bodies that Matter’The Female Grotesque: Risk, Excess and Modernity (1995)The Female Grotesque: Risk, E…A personagem homossexual no cinema brasileiro (1995)A personagem homossexual no c…The Female Grotesque: Risk, Excess and Modernity (1994)The Female Grotesque: Risk, E…Gay New York: gender, urban culture, and the making of the gay male world, 1890-1940 (1994)Gay New York: gender, urban c…Women and Film: A Sight and Sound Reader (1993)Women and Film: A Sight and S…Gender and the Politics of History. (1990)Gender and the Politics of Hi…Technologies of Gender: Essays on Theory, Film, and Fiction (1988)Technologies of Gender: Essay…The Celluloid Closet (1981)The Celluloid ClosetAgainst Our Will: Men, Women and Rape (1978)Gender, Habitus and the Field (1999)Post‐feminism and popular culture (2004)Methodology of the Oppressed (2010)Peter Stallybrass and Allon White. The Politics and Poetics of Transgression. Ithaca: Cornell University Press. 1986. Pp. xi, 228. Cloth $29.95, paper $12.95 (1988)‘Getting Out and Getting Away’: Women's Narratives of Class Mobility (1999)Outsize/Outside: Bodily bignesses and the emotional experiences of British women shopping for clothes (2006)Against abjection (2009)Identity and agency in cultural worlds (1999)Discourse Analysis as Theory and Method (2002)Introduction: Who Needs ‘Identity’? (2011)Qual Memória o Audiovisual Preserva? (2022)Queer Ecology: Nature, Sexuality, and Heterotopic Alliances (2012)Britten's unquiet pasts: sound and memory in postwar reconstruction (2013)Private Lives, Public Histories: The Diary in Twentieth-Century Britain (2015)Violence and the Social Construction of Ethnic Identity (2000)Connell’s concept of hegemonic masculinity: A critique (2001)Forbidden Words (2006)Speaking For, Speaking About, Speaking With, or Speaking Alongside — An Anthropological and Documentary Dilemma (1991)Public Discourses of Gay Men (2006)The Influence of Media Role Models on Gay, Lesbian, and Bisexual Identity (2011)The organizational shaping of collective identity: The case of lesbian and gay film festivals in New York (1996)“I Want to be the Minority” (2001)'Just a Word on a Page and there is the Drama.' Sarah Kane's Theatrical Legacy (2003)Engaging the narrative in ontological (in)security theory: insights from feminist IR (2009)Taking Subjectivity into Account (2011)Feminism and futurity: Geographies of resistance, resilience and reworking (2021)Integrating Disability, Transforming Feminist Theory (2002)Sex and the City and Consumer Culture: Remediating Postfeminist Drama (2003)
this work references cited by second hop

References

  • 19994.3 ‘Bodies that Matter’2,037 cited
  • 1994Gay New York: gender, urban culture, and the making of the gay male world, 1890-19401,900 cited
  • 1988Technologies of Gender: Essays on Theory, Film, and Fiction1,371 cited
  • 1995The Female Grotesque: Risk, Excess and Modernity380 cited
  • 1994The Female Grotesque: Risk, Excess and Modernity371 cited
  • 1990Gender and the Politics of History.359 cited
  • 2006Queer London: Perils and Pleasures in the Sexual Metropolis, 1918-1957182 cited
  • 1993Women and Film: A Sight and Sound Reader121 cited
  • 1981The Celluloid Closet68 cited
  • 1995A personagem homossexual no cinema brasileiro66 cited
  • 2006Queer London: Perils and Pleasures in the Sexual Metropolis65 cited

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