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Lyric Form in Ottocento Opera
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Cited by

  • 2007Verdi, the Virgin, and the Censor: The Politics of the Cult of Mary in I Lombardi alla prima crociata and Giovanna d'Arco24 cited
  • 2012Tonal Structures in Bellini21 cited
  • 2019Opera in contention: social conflict in late nineteenth-century Mexico City20 cited
  • 2004Nineteenth-Century Music: Quantity, Quality, Qualities17 cited
  • 2017Expressive Tempo Modifications in Adelina Patti's Recordings: An Integrated Approach6 cited
  • 2012The dramaturgy of opera5 cited
  • 2021Lyric Forms as “Performed” Speech in Das Rheingold and Die Walküre4 cited
  • 2009Verdi, Solera, Piave and the libretto for Attila4 cited
  • 2020Climax Building in Verismo Opera3 cited

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