SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Disappearing into the Distance and Getting Closer All the Time: Vision, Position, and Thought in Kiarostami’s The Wind Will Carry Us
10 references·0 citing·25 second hop
Disappearing into the Distance and Getting Closer All the Time: Vision, Position, and Thought in Kiarostami’s The Wind Will Carry Us (2009)Disappearing into the Distance and Gettin…Kiarostami and the Aesthetics of Modern Persian Poetry (2006)Kiarostami and the Aesthetics…The cinema of Abbas Kiarostami (2005)The cinema of Abbas KiarostamiThe open image: poetic realism and the New Iranian Cinema (2003)The open image: poetic realis…The New Iranian cinema: politics, representation and identity (2003)The New Iranian cinema: polit…The new Iranian cinema (2002)The new Iranian cinemaClose up: Iranian cinema, past, present and future (2002)Close up: Iranian cinema, pas…The Films of Mike Leigh (2000)The Films of Mike LeighPersian Mirrors: The Elusive Face of Iran (2000)Persian Mirrors: The Elusive …Re‐reading reality: Kiarostami'sthrough the Olive treesand the cultural politics of a postrevolutionary aesthetics (1995)Re‐reading reality: Kiarostam…A cinema without walls: movies and culture after Vietnam (1992)A cinema without walls: movie…The New Republic (1877)Cahiers du Cinéma (1985)Outside in the Teaching Machine (1996)Horizons of Assent: Modernism, Postmodernism, and the Ironic Imagination (1983)Islam, Leprosy, and Disability: How Religion, History, Art, and Storytelling Can Yield New Insights and Acceptance (2019)The culture of morality: social development, context, and conflict (2002)A Feminist Generation in Iran? (2008)The overlooked variable in managing human resources of Iranian organizations: workforce diversity – some evidence (2010)Recycled Culture in Contemporary Art and Film (2003)Critical Discourse and the Cultural Consecration of American Films (2004)Star Wars and the History of Transmedia Storytelling (2021)Outside in: ‘accented cinema’ at large (2006)Cinema without Frontiers: Transnational Women’s Filmmaking in Iran and Turkey (2007)Allegorized Subaltern: Subjectivity and Death in the Works of Bahman Ghobadi (2015)Auto-Motivations: Digital Cinema and Kiarostami's Relational Aesthetics (2010)Death Every Afternoon (2003)Digital cinema: The transformation of film practice and aesthetics (2006)Neorealism, Iranian Style (2007)Contested Tibetan landscapes in the films of Pema Tseden (2016)Small Screens and Big Voices: Televisual Social Realism and the Popular (2011)Vocatives galore in audiovisual dialogue (2014)Improvisation as a research methodology: exploring links between filmmakers’ practice and traditions of enquiry across the academy (2019)Religion, Media, and the Public Sphere (2005)Iranian Women’s Sports Fandom (2012)Drugs and Revolution in Iran: Islamic Devotion, Revolutionary Zeal and Republican Means (2014)
this work references cited by second hop

References

  • 1992A cinema without walls: movies and culture after Vietnam267 cited
  • 2002Close up: Iranian cinema, past, present and future175 cited
  • 2003The New Iranian cinema: politics, representation and identity160 cited
  • 2000Persian Mirrors: The Elusive Face of Iran108 cited
  • 2005The cinema of Abbas Kiarostami55 cited
  • 2003The open image: poetic realism and the New Iranian Cinema44 cited
  • 2000The Films of Mike Leigh24 cited
  • 1995Re‐reading reality: Kiarostami'sthrough the Olive treesand the cultural politics of a postrevolutionary aesthetics9 cited
  • 2006Kiarostami and the Aesthetics of Modern Persian Poetry8 cited
  • 2002The new Iranian cinema6 cited

Cited by

No citing works inside the corpus for this window.

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work