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Music accompanies the African from the cradle to the grave. Music is played on both happy and sad occasions. This article examines the theme of HIV and AIDS in Zimbabwean music. In the first section, it describes how traditional music responded to threats to health and well-being. Music empowered communities to face war, pestilence, disease and death. In contemporary times, music seeks to equip society to face the AIDS pandemic. The article reflects the changing attitudes – from the initial denial and stigmatisation, to the current calls for respect for people living with HIV. The article highlights new themes relating to the epidemic that could be addressed in Zimbabwean music.
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Stored only when both papers are in the corpus — 14 citations exist upstream.
Papers that cite the same references — the relational fallback while embeddings are still backfilling.
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