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Concerning mm. 1-2 Mr. Rothgeb questions whether the melodic progression g1-e2-c2 derives, in any significant sense, from the initial gl-el-cl (m. 1, 2nd quarter). He does so on the grounds that e2 (m. 2) has a radically different function from that of el (m. 1). I certainly agree that the two tones function differently; e2 is a primary melodic element, el part of a fleeting figuration. But does the significance of a motivic or the-
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