Walking the Line: Affectively Understanding and Communicating the Complexity of Place

Abstract

This text discusses the proposition that walking is a particular method of mapping, a method or methodology that is both an act of mapping and a means for creating mapping outcomes. In particular, I focus on the way that artists and other creative practitioners engage with these acts of walking and mapping in the realisation of their creative works. The intention is to explore and consider the complexity of and performative nature of mapping, and the experience and meaning of such practices on our understanding of place.

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