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Identification of artificial orpiment in the interior decorations of the Japanese tower in Laeken, Brussels, Belgium
5 references·11 citing·34 second hop
Identification of artificial orpiment in the interior decorations of the Japanese tower in Laeken, Brussels, Belgium (2015)Identification of artificial orpiment in …Pigment Compendium: Optical Microscopy of Historical Pigments (2013)Pigment Compendium: Optical M…The Occurrence and Alteration of Realgar on Ancient Egyptian Papyri (2004)The Occurrence and Alteration…Artists' Pigments: A Handbook of Their History and Characteristics, Volume 2 (1995)Artists' Pigments: A Handbook…A short review (1981)A short reviewMuseum of Fine Arts, Boston. 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this work references cited by second hop

References

  • 1995Artists' Pigments: A Handbook of Their History and Characteristics, Volume 2455 cited
  • 1981A short review348 cited
  • 2013Pigment Compendium: Optical Microscopy of Historical Pigments145 cited
  • 2004The Occurrence and Alteration of Realgar on Ancient Egyptian Papyri44 cited
  • 1972Museum of Fine Arts, Boston.38 cited

Cited by

  • 2018Study of dry‐ and wet‐process amorphous arsenic sulfides: Synthesis, Raman reference spectra, and identification in historical art materials27 cited
  • 2020New evidence for the intentional use of calomel as a white pigment27 cited
  • 2018Natural and synthetic arsenic sulfide pigments in Japanese woodblock prints of the late Edo period24 cited
  • 2019Evidence of early amorphous arsenic sulfide production and use in Edo period Japanese woodblock prints by Hokusai and Kunisada23 cited
  • 2016Synthetic arsenic sulfides in Japanese prints of the Meiji period21 cited
  • 2025Advanced X-ray techniques to study the alteration of pigments in paintings17 cited
  • 2021The Importance of Being Versatile: INFN-CHNet MA-XRF Scanner on Furniture at the CCR “La Venaria Reale”17 cited
  • 2019Developing a systematic approach to determine the sequence of impressions of Japanese woodblock prints: the case of Hokusai’s ‘Red Fuji’17 cited
  • 2020In search of Humboldt’s colors: materials and techniques of a 17th-century lacquered gourd from Colombia

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13 cited
  • 2016Uncover the mantle: rediscovering Gregório Lopes palette and technique with a study on the painting “Mater Misericordiae”9 cited
  • 2016The Japanese Tower at the Royal Domain in Laeken: A remarkable application of Japanese lacquer techniques in Belgium2 cited