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Giambattista Della Porta, Dramatist
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Giambattista Della Porta, Dramatist (1968)Giambattista Della Porta, DramatistA Theater of Experiments: Giambattista Della Porta and the Scientific Culture of Renaissance Naples (2017)A Theater of Experiments: Gia…The Cambridge Companion to the Italian Renaissance (2014)The Cambridge Companion to th…Religion (2014)ReligionPhilosophy (2014)PhilosophyArtists’ workshops (2014)Artists’ workshopsArtistic geographies (2014)Artistic geographiesGiambattista Della Porta and the Roman Inquisition: censorship and the definition of Nature's limits in sixteenth-century Italy (2012)Giambattista Della Porta and …The Renaissance Academies between Science and the Humanities (2009)The Renaissance Academies bet…Art, Optics and History: New Light on the Hockney Thesis (2003)Art, Optics and History: New …Iro and the Interpretation of Il ritorno d'Ulisse in patria (1989)Iro and the Interpretation of…The Recitative Soliloquy (1979)The Recitative SoliloquySpiritual and Demonic Magic: From Ficino to Campanella (1958)The House of Experiment in Seventeenth-Century England (1988)A Social History of Truth: Civility and Science in Seventeenth-Century England (1994)New Oxford History of Music (1958)Giambattista Della Porta, Dramatist (1965)Classical tragedy in the history of early opera in Rome (1984)Power and display: music in court theatre (2005)from Some Versions of Pastoral (2010)Echoes of Ariadne in the Musical Reception of Ariosto and Tasso (2020)Tutte le opere (1967)Music and Culture in Italy from the Middle Ages to the Baroque (1984)Seneca and the Interpretation of "L'Incoronazione di Poppea" (1985)The Bow of Ulysses (1994)Monteverdi's Il ritorno d'Ulisse in patria and the power of ‘music’ (1995)Painting and Experience in Fifteenth Century Italy: A Primer in the Social History of Pictorial Style (1973)The Science of Art, Optical Themes in Western Art from Brunelleschi to Seurat (1991)The Optics of Ibn Al-Haytham: Books I-III, on Direct Vision (1992)Letting in the light: Artemisia Gentileschi and the camera obscura (2005)A history of magic and experimental science (1923)Medieval and Early Renaissance Medicine (1990)Archives Internationales d’Histoire des Sciences (1948)Science and the Secrets of Nature (1994)Wonders and the order of nature (1999)The Mediterranean and the Mediterranean World in the Age of Philip II (1974)Gender: A Useful Category of Historical Analysis (1986)The New Grove dictionary of music and musicians (2001)The Dialogic Imagination. Four Essays by M. M. Bakhtin (1982)
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Cited by

  • 2014Religion40 cited
  • 2009The Renaissance Academies between Science and the Humanities21 cited
  • 2014The Cambridge Companion to the Italian Renaissance21 cited
  • 2017A Theater of Experiments: Giambattista Della Porta and the Scientific Culture of Renaissance Naples17 cited
  • 2014Artistic geographies14 cited
  • 2014Artists’ workshops14 cited
  • 1979The Recitative Soliloquy12 cited
  • 2012Giambattista Della Porta and the Roman Inquisition: censorship and the definition of Nature's limits in sixteenth-century Italy12 cited
  • 2003Art, Optics and History: New Light on the Hockney Thesis11 cited
  • 1989Iro and the Interpretation of Il ritorno d'Ulisse in patria6 cited
  • 2014Philosophy2 cited

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