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In the 1970s numerous artists with feminist leanings dared to imagine that female artists producing authentically, radically different art might undo the prevailing visual regime, derailing the business as usual of art-world institutions. Others conjured a less idealistic, but still ambitious vision: that the art world's extant institutions might expand to accommodate a complement of female artists once a convincing case was made for their fitness for inclusion. The most prominent feminist exhibition of the 1980s, Mdiing Their Mark: Women Artists Move into the Mainstream, 1970–1985, a full-dress traveling survey of contemporary women's art, devolved more from the latter initiative, emphasizing inclusion and a potential for more proportionate representation.
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