The study of folk music in the modern world

Abstract

FOREWORD BY ALAN DUNDES ACKNOWLEDGMENTS INTRODUCTION 1. The Origins of Folk Music, Past and Present 2. Folk Music and Oral Tradition 3. Classification: The Discursive Boundaries of Folk Music 4. The Social Basis of Folk Music: A Sense of Community, A Sense of Place 5. The Folk Musician 6. Folk Music in Non-Western Cultures 7. Folk Music and Canon-Formation: The Creative Dialectic between Text and Context 8. Folk Music in the Modern World Bibliography Index

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