Shiny Happy People Holding Guns: 21st-Century Images of War

Abstract

When U.S. troops in Iraq and Afghanistan filter their war experiences through visual aesthetics characteristic of contemporary mobile messaging culture, they produce a new visual discourse for war in the Internet age. A critical reading of 250 Facebook photos reveals an emphasis on colloquial representations of young adult life: hanging out, goofing off, playing games, and wearing costumes. For example, one image depicts two Marines in full desert camouflage posing for a picture while wearing skeleton masks. The Marine on the left looks down at his digital camera, either reviewing a photo or getting ready to hand it off to the “shooter.” The gear in the photo (masks aside) suggests that they are prepared for a combat scenario. Mortars and rockets could hit their base at any moment. The silliness and nonchalance captured in the photo seems antithetical to their physical locale, especially a condition of imminent danger. Most audiences would not recognize this as a combat scenario. Photos like this reflect the ways in which our shifting visual repertoire—with emphases on friendship, domesticity, and spontaneity—modifies visual discourses for contemporary war.

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